"What distillate can be discovered from herbs of a witching brew," said an aesthete, "what distillate prepared according to the formulas of ancient Grecosyrian magi…
Constantine Cavafy was born on 29th April 1863 in Alexandria, Egypt, the youngest of nine siblings, two of whom died in infancy. His father, Petros Ioannes, who held dual Greek and British citizenship, was a wealthy businessman with import/export offices in Constantinople, London and Liverpool. At the time of Petros’ death the family were living in Liverpool but moved back to Alexandria in 1877 following financial difficulties. They then moved to Constantinople, the birthplace of Cavafy’s parents, to escape military conflict in Egypt. It was during this time that their home in Alexandria was destroyed by fire during bombardment by the British fleet. When British rule was imposed in Egypt Cavafy renounced his British citizenship. They were able to return to Alexandria in 1885 and Constantine Cavafy spent the rest of his life there. Cavafy attended schools in England and in Alexandria, where he borrowed many books from public libraries and prepared for a career in journalism. By the age of eighteen he’d started compiling his own historical dictionary. In Constantinople he started to research his Greek ancestry after meeting family members. It was said he had his first homosexual experience there at the age of nineteen. He wrote, many years later: Cavafy secured a job in 1892 with the Ministry of Public Works in Egypt and held it for the next thirty years even though it was supposed to be a temporary position because his Greek citizenship excluded him from a permanent job. He also started working at the Alexandrian Stock Exchange, becoming a registered broker from 1984 to 1902, and this dual wage enabled him to live in financial comfort, despite a gambling habit. Cavafy started publishing poems in 1886. His first one, Bacchial, appeared in the periodical Hesperus. He refused to publish his work in book form, preferring to publish in newspapers, periodicals and broadsheets. Only after his death was the first anthology, published, in 1935. It was thought that his reluctance to publish was because of the personal nature of his poems, containing as they did sexually explicit references to his homosexuality. W H Auden, in his introduction to The Complete Poems of C P Cavafy, 1961, wrote: His style of writing was direct and his language individual, seemingly not caring for rhyme or rhythm. His natural instinct for words and expression owed nothing to the manner of others, either Greek or European. Whether penning erotic or historical poems, Cavafy explores the pursuit of pleasure and the destructive consequences of decadence as in his poem The Battle of Magnesia: Cavafy’s reputation as one of the greatest Greek modern poets grew only after his death from cancer on 29th April 1933. His poetry is taught in schools in Greece and Cyprus and in universities worldwide. His apartment in Alexandria has been converted into a museum.
Constantine Cavafy şiirleri
I do not question whether I am happy or unhappy. Yet there is one thing that I keep gladly in mind -- that in the great addition (their addition that I abhor) that has so many numb…
With words, with countenance, and with manners I shall build an excellent panoply; and in this way I shall face evil men without having any fear or weakness.…
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In the prologue to her Alexiad, Anna Comnena laments her widowhood. Her soul is dizzy. "And with rivers…
In the golden bull that Alexios Comnenos issued to prominently honor his mother, the very sagacious Lady Anna Dalassené— distinguished in her works, in her ways—…
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Apollonius was talking about proper education and conduct with a young man who was building a luxurious house in Rhodes. "As for me" said the Tyanian…
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Partly to verify an era, partly also to pass the time, last night I picked up a collection of Ptolemaic epigrams to read.…
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For some people the day comes when they have to declare the great Yes or the great No. It's clear at once who has the Yes ready within him; and saying it,…
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