İngilizce
Would that the structure brave, the manifold music I build, Bidding my organ obey, calling its keys to their work, Claiming each slave of the sound, at a touch, as when Solomon wil…
The son of Robert Browning, a Bank of England clerk, and Sarah Anna Wiedemann, of Scottish-German descent, Browning received little formal education. His learning was gleaned mainly from his Father's library at home in Camberwell, South London, where he learnt something, with his Father's help, of Latin and Greek and also read Shelly, Byron and Keats. Though he attended lectures at the University of London in 1828, Browning left after only one session. Apart from a visit to St Petersburg in 1834 and two visits to Italy in 1838 and 1844, Browning lived with his parents in London until his marriage of 1846. It was during this period that most of the plays and the earlier poems were written and, excepting Strafford, published at his family's expense. After the secretly held marriage to Elizabeth Barrett in 1846, Browning and wife travelled to Italy where they were, apart from brief holidays in France and England, to spend most of their married life together. In 1849 the couple had a son, Robert 'Pen' Browning, and it was Elizabeth who, during this time, was most productive. After her death in 1861, Browning returned to England with his son, where he achieved popular acclaim for his Dramatis Personae and The Ring and the Book. He spent the remainder of his life, excepting holidays in France, Scotland, Italy and Switzerland, in London where he wrote a number of dramatic poems, the two series of Dramatic Idylls (1879,1880) and poems on primarily classical subjects: Balaustion's Adventure (1871) and Aristophone's Apology (1875). He died in Venice whilst holidaying in 1889 and was buried at Westminster Abbey.)
- Poetry
- Asolando: Fancies and Facts (1889)
- Christmas-Eve and Easter-Day (1850)
- Complete Poetic and Dramatic Works of Robert Browning (1895)
- Dramatic Idyls (1879)
- Dramatic Idyls: Second Series (1880)
- Ferishtah's Fancies (1884)
- Jocoseria (1883)
- La Saisiaz, and The Two Poets of Croisicv (1878)
- Men and Women (1855)
- New Poems by Robert Browning and Elizabeth Barrett Browning (1914)
- Pacchiarotto and How He Worked in Distemper, with Other Poems (1876)
- Paracelsus (1835)
- Parleyings with Certain People of Importance in Their Day (1887)
- Pauline: A Fragment of a Confession (1833)
- Red Cotton Night-Cap Country; or, Turf and Towers (1873)
- Robert Browning: The Poems (1981)
- Robert Browning: The Ring and the Book (1971)
- Sordell (1840)
- The Brownings to the Tennysons (1971)
- The Complete Works of Robert Browning (1898)
- The Inn Album (1875)
- The Poetical Works of Robert Browning (1868)
- The Ring and the Book (1868-1869)
- The Works of Robert Browning (1912)
- Two Poems (1854)
- Prose
- Browning to His American Friends (1965)
- Dearest Isa: Browning's Letters to Isa Blagden (1951)
- Learned Lady: Letters from Robert Browning to Mrs. Thomas FitzGerald 1876-1889 (1966)
- Letters of Robert Browning Collected by Thomas J. Wise (1933)
- New Letters of Robert Browning (1950)
- Robert Browning and Julia Wedgwood: A Broken Friendship as Revealed in Their Letters (1937)
- The Letters of Robert Browning and Elizabeth Barrett, 1845-1846 (1969)
- Thomas Jones, The Divine Order: Sermons (1884)
- Anthology
- The Agamemnon of Aeschylus (1877)
- Drama
- Aristophanes' Apology (1875)
- Balaustion's Adventure, Including a Transcript from Euripides (1871)
- Bells and Pomegranates, No. IV - The Return of the Druses: A Tragedy in Five Acts (1943)
- Bells and Pomegranates. No. I - Pippa Passes (1841)
- Bells and Pomegranates. No. II - King Victor and King Charles (1842)
- Bells and Pomegranates. No. III - Dramatic Lyrics (1842)
- Bells and Pomegranates. No. V - A Blot in the 'Scutcheon: A Tragedy in Five Acts (1843)
- Bells and Pomegranates. No. V - Colombe's Birthday: A Play in Five Acts (1844)
- Bells and Pomegranates. No. VII - Dramatic Romances & Lyrics (1845)
- Bells and Pomegranates. No. VIII - and Last, Luria; and A Soul's Tragedy (1846)
- Dramatis Personae (1864)
- Fifine at the Fair (1872)
- Poems: A New Edition (1849)
- Prince Hohenstiel-Schwangau, Saviour of Society (1871)
- Strafford: An Historical Tragedy (1837)
Robert Browning şiirleri
İngilizce
(after he has been extemporizing upon the musical instrument of his invention) Would that the structure brave, the manifold music I build,…
İngilizce
Kentish Sir Byng stood for his King, Bidding the crop-headed Parliament swing: And, pressing a troop unable to stoop And see the rogues flourish and honest folk droop,…
İngilizce
If one could have that little head of hers Painted upon a background of pure gold, Such as the Tuscan's early art prefers! No shade encroaching on the matchless mould…
İngilizce
Take the cloak from his face, and at first Let the corpse do its worst! How he lies in his rights of a man!…
1
Let us begin and carry up this corpse, Singing together. Leave we the common crofts, the vulgar thorpes Each in its tether…
Let us begin and carry up this corpse, Singing together. Leave we the common crofts, the vulgar thorpes Each in its tether…
İngilizce
Christ God who savest man, save most Of men Count Gismond who saved me! Count Gauthier, when he chose his post, Chose time and place and company…
İngilizce
I. So far as our story approaches the end, Which do you pity the most of us three?---…
1
İngilizce
I. Oh, what a dawn of day! How the March sun feels like May!…
İngilizce
Oh, good gigantic smile o' the brown old earth, This autumn morning! How he sets his bones To bask i' the sun, and thrusts out knees and feet For the ripple to run over in its mirt…
İngilizce
But do not let us quarrel any more, No, my Lucrezia; bear with me for once: Sit down and all shall happen as you wish. You turn your face, but does it bring your heart?…
Karshish, the picker-up of learning's crumbs, The not-incurious in God's handiwork (This man's-flesh he hath admirably made, Blown like a bubble, kneaded like a paste,…
1
İngilizce
I. June was not over Though past the fall,…
İngilizce
My love, this is the bitterest, that thou--- Who art all truth, and who dost love me now As thine eyes say, as thy voice breaks to say--- Shouldst love so truly, and couldst love m…
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