Ad. Saturday 0707

S Sylvia Frances Chan Sylvia Frances Chan
0 Altın Yaprak
Jane Austen's sense and sensibility Mr. Kumarmani's ardent attitude for all his divine poetry Mrs. Juan-Austin's tender touching approach Bernard seems a sobriety but inside he is sheer sensitve Robert Murray Smith's emotive economical poetry Dillip's quick runnings through his pretty poetic poems are quite pensive Jez is a true creating credential Elena is a disappearing dearest one but her smiles and love here have not gone and OMG where is the youngest poetess her lovely smiling photograph reminds me of an oriental princess she is pretty and pretentious she does never fear, she is never anxious many men regard her as beauteous I started with a classic, I must end alike residing in the Netherlands, a small country behind a huge dike though only mills and short distances this loved land is famous about its absurdic appearances absurdic in the most prevailing poetic like gay marriages, gender problems, male/female or not one latest ceremony I won't easily forget, oh dear God just returned from Ghana, having seen and listened to its slaves' history the fervent guide told me Ghana is proud of its past and memory once back to my country, it is celebrating grandest slaves past ardently by the beautiful black community at last about this grand celebration and my trip to Ghana is coincidentally the same subject about Slavery from the past I could choose the Wild Life of Ghana, also my preference but instead, that slavery's past became my choice's benevolence which classic poet or poetess to end my poem with, reality's fiasco it will remain an enormous burden in my mind to leave this line blanco no more any attentive alliterations nor beauteous brevity so sorry, I apologize for ending this verse without the classic but with this lengthy. © Sylvia Frances Chan @18.00 hrs. P.M. West-European Time

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