Thurso’s Landing

I The coast-road was being straightened and repaired again, A group of men labored at the steep curve Where it falls from the north to Mill Creek. They scattered and hid Behind cut banks, except one blond young man Who stooped over the rock and strolled away smiling As if he shared a secret joke with the dynamite; It waited until he had passed back of a boulder, Then split its rock cage; a yellowish torrent Of fragments rose up the air and the echoes bumped From mountain to mountain. The men returned slowly And took up their dropped tools, while a banner of dust Waved over the gorge on the northwest wind, very high Above the heads of the forest. Some distance west of the road, On the promontory above the triangle Of glittering ocean that fills the gorge-mouth, A woman and a lame man from the farm below Had been watching, and turned to go down the hill. The young woman looked back, Widening her violet eyes under the shade of her hand. 'I think they'll blast again in a minute.' And the man: 'I wish they'd let the poor old road be. I don't like improvements.' 'Why not?' 'They bring in the world; We're well without it.' His lameness gave him some look of age but he was young too; tall and thin-faced, With a high wavering nose. 'Isn't he amusing,' she said, 'that boy Rick Armstrong, the dynamite man, How slowly he walks away after he lights the fuse. He loves to show off. Reave likes him, too,' She added; and they clambered down the path in the rock-face, little dark specks Between the great headland rock and the bright blue sea. II The road-workers had made their camp North of this headland, where the sea-cliff was broken down and sloped to a cove. The violet-eyed woman's husband, Reave Thurso, rode down the slope to the camp in the gorgeous autumn sundown, his hired man Johnny Luna Riding behind him. The road-men had just quit work and four or five were bathing in the purple surf-edge, The others talked by the tents; blue smoke fragrant with food and oak-wood drifted from the cabin stove-pipe And slowly went fainting up the vast hill. Thurso drew rein by a group of men at a tent door And frowned at them without speaking, square-shouldered and heavy-jawed, too heavy with strength for so young a man, He chose one of the men with his eyes. 'You're Danny Woodruff, aren't you, that drives the tractor?' Who smiled And answered 'Maybe. What then?' 'Why, nothing, except you broke my fence and you've got to fix it.' 'You don't say,' He said laughing. 'Did somebody break your fence? Well, that's too bad.' 'My man here saw you do it. He warned you out of the field.' 'Oh, was I warned?' He turned to Luna: 'What did I say to you, cowboy?' 'You say, you say,' Luna's dark face flushed black, 'you say 'Go to hell.' ' Woodruff gravely, to Thurso: 'That's what I say.' The farmer had a whip in his hand, a hotter man might have struck, but he carefully Hung it on the saddle-horn by the thong at the butt, dismounted, and said, 'You'll fix it though.' He was somewhat Short-coupled, but so broad in the chest and throat, and obviously all oak, that Woodruff recoiled a step, Saying 'If you've got a claim for damages, take it to the county.' 'I'm taking it nearer hand. You'll fix the fence.' Woodruffs companions Began to come in between, and one said 'Wait for him Until he fixes it, your cows will be down the road.' Thurso shook his head slightly and bored forward Toward his one object; who felt the persecuting Pale eyes under dark brows dazzle resistance. He was glad the bathers came up the shore, to ask What the dispute was, their presence released his mind A moment from the obstinate eyes. The blithe young firer Of dynamite blasts, Rick Armstrong, came in foremost, Naked and very beautiful, all his blond body Gleaming from the sea; he'd been one or two evenings A guest at the farmhouse, and now took Thurso's part So gracefully that the tractor-driver, already Unnerved by that leaden doggedness, was glad to yield. He'd mend the fence in the morning: Oh, sure, he wanted To do the right thing: but Thurso's manner Had put him off. The group dissolved apart, having made for a moment its unconscious beauty In the vast landscape above the ocean in the colored evening; the naked bodies of the young bathers Polished with light, against the brown and blue denim core of the rest; and the ponies, one brown, one piebald, Compacted into the group, the Spanish-Indian horseman dark bronze above them, under broad red Heavens leaning to the lonely mountain. III In the moonlight two hours before Sunday dawn Rick Armstrong went on foot over the hill Toward the farmhouse in the deep gorge, where it was dark, And he smelled the stream. Thurso had invited him To go deer-hunting with them, seeing lights in the house He hurried down, not to make his friends wait. He passed under a lonely noise in the sky And wondered at it, and remembered the great cable That spanned the gorge from the hill, with a rusted iron skip Hanging from it like a stuck black moon; relics, With other engines on the headland, of ancient lime-kilns High up the canyon, from which they shot the lime To the promontory along the airy cable-way To be shipped by sea. The works had failed; the iron skip Stuck on its rusted pulleys would never move again Until it fell, but to make a desolate creaking In the mountain east-wind that poured down the gorge Every clear night. He looked for it and could not find it Against the white sky, but stumbled over a root And hurried down to the house. There were layered smells of horses and leather About the porch; the door stood half open, in the yellow slot Of lamplight appeared two faces, Johnny Luna's dark hollow Egyptian profile and Helen Thurso's Very white beyond, her wide-parted violet eyes looked black and her lips moved. Her husband's wide chest Eclipsed the doorway. 'Here you are. I was afraid you wouldn't wake up. Come in,' Thurso said, 'Coffee and bacon, it will be long to lunch.' A fourth in the room was the lame man, Reave Thurso's brother, Who said at parting, 'Take care of Helen, won't you, Reave, Don't tire her out.' He was not of the party but had risen to see them off. She answered from the porch, laughing, The light from the door gilding her cheek, 'I'll not be the tired one, Mark, by evening. Pity the others.' 'Let the men do the shooting, Helen, spare yourself. Killing's against your nature, it would hurt with unhappy thought Some later time.' 'Ah,' she answered, 'not so gentle as you think. Good-bye, brother.' They mounted the drooping horses and rode up canyon Between black trees, under that lonely creaking in the sky, and turned southward Along the coast-road to enter a darker canyon. The horses jerked at the bridle-hands, Nosing out a way for the stammering hooves Along the rocks of a ribbed creek-bed; thence a path upward To the height of a ridge; in that clear the red moonset Appeared between murky hills, like a burning ship On the world's verge. Thurso and Luna stealthily dismounted. They stole two ways down the starry-glimmering slope like assassins, above the black fur of forest, and vanished In the shifty gray. The two others remained, Armstrong looked wistfully Toward his companion through the high reddish gloom, and saw the swell of her breast and droop of her throat Darkling against the low moon-scarred west. She whispered and said, 'The poor thing may drive up hill toward us: And I'll not fire, do you want to trade rifles with me? The old one that Reave has lent you is little use.' He answered, 'I guess one gun's as good as another, you can't see the bead, you can't see the notch.' 'Oh: well. The light will grow.' They were silent a time, sitting and holding the horses, the red moon on the sea-line Suddenly foundered; still the east had nothing. 'We'd better take ourselves Out of the sky, and tie up the horses.' She began to move, down the way lately climbed, the cowboy's Pony trailing behind her, Armstrong led Reave's. He saw her white shirt below him gleam in the starlight Like bare shoulders above the shadow. They unbridled the horses and tethered them to buckthorn bushes, and went back Into the sky; but lay close against the ridge to be hidden, for a cloud whitened. Orion and Sirius Stood southward in the mid heaven, and Armstrong said, 'They're strange at dawn, see, they're not autumn stars, They belong to last March.' 'Maybe next March,' she answered Without looking. 'Tell me how you've charmed Reave To make him love you? He never has cared for a friend before, Cold and lonely by nature. He seems to love you.' 'Why: nothing. If he lacks friends perhaps it's only Because this country has been too vacant for him To make choices from.' 'No,' she answered, 'he's cold, And all alone in himself. Well. His goodness is strength. He's never set his mind on anything yet But got it with a strong hand. His brother, you met this morning, Is very different, a weak man of course, But kindly and full of pity toward every creature, but really at heart As cold as Reave. I never loved hunting, and he's Persuaded me to hate it. Let him persuade Reave if he could!' Armstrong said, 'Why did you come then?' 'Ah? To watch things be killed.' They heard the wind Flustering below, and felt the sallow increase of clearness On grass-blades, and the girl's face, and the far sea, A light of visions, faint and a virgin. One rifle-shot Snapped the still dawn; Armstrong cradled his gun But nothing came up the hill. The cloud-line eastward Suddenly flushed with rose-color flame, and standing Rays of transparent purple shadow appeared Behind the fired fleece. Helen Thurso sighed and stood up, 'Let's see if we can't lead one of the horses down, Now light has come, to bring up the corpse.' 'The . . . for what?' 'The meat,' she said impatiently, 'the killed thing. It's a hard climb.' 'You think they got it?' 'Couldn't fail; but other years They've taken two in that trap.' Nearly straight down, At the edge of the wood, in the pool of blue shade in the cleft hill, The two men were seen, one burdened, like mites in a bowl; and Helen with a kind of triumph: 'Look down there: What size Reave Thurso is really: one of those little dirty black ants that come to dead things could carry him With the deer added.' They drove a horse down the headlong pitch; the sun came up like a man shouting While they climbed back, then Helen halted for breath. Thurso tightened the lashings under the saddle, That held his booty on the pony's back, and said to Armstrong, 'That tree that stands alone on the spur, It looks like a match: its trunk's twenty feet through. The biggest redwoods left on the coast are there, The lumbermen couldn't reach them.' Johnny Luna, when they reached the ridge, Was sent home leading his horse, with the buck mounted. The others rode east, the two men ahead, and Helen Regarding their heads and shoulders against the sharp sky or the sides of hills; they left the redwood canyons And rode a long while among interminable gray ranges bushed on the north with oak and lupin; Farther they wandered among flayed bison-shaped hills, and rode at noon under sparse bull-pines, And so returned, having seen no life at all Except high up the sun the black vultures, Some hawks hunting the gorges, and a far coyote. In the afternoon, nearing toward home, it was Helen Who saw five deer strung on a ridge. 'Oh. Look. So I've betrayed them,' she said bitterly. Reave said to Armstrong, 'Your shot: the buck to the north,' and while he spoke fired, but the other Had raised his cheek from the rifle-stock to look At Helen angrily laughing, her face brilliant In the hard sunlight, with lakes of deep shade Under the brows and the chin; when he looked back The ridge was cleared. 'Why didn't you let him have it? You'd such an easy shot,' Thurso said, 'Against the cloud, mine was among the bushes, I saw him fall and roll over.' 'Be very happy,' Helen said. 'He was hard hit, for he ran down hill. That makes you shine.' They labored across the gorge And climbed up to the ridge. A spongy scarlet thing Was found at the foot of a green oak-bush and Helen Came and saw it. 'He was hit in the lung,' Reave said, 'Coughed up a froth of blood and ran down hill. I have to get him.' 'It looks like a red toadstool: Red scum on rotten wood. Does it make you sick? Not a bit: it makes you happy.' 'Why do you come hunting, Helen, If you hate hunting? Keep still at least. As for being happy: Look where I have to go down.' He showed her the foamy spots of blood, on the earth and the small leaves, Going down a steep thicket that seemed impassable. She answered, 'Let the poor thing die in peace.' 'It would seem a pity,' He answered, 'to let him suffer; besides the waste.' Armstrong looked down and said, 'He'll be in the creek-bed. I'll go down there and work up the gulch, if you go down here.' 'You'd never find him without the blood-trail,' Reave answered. Then Helen suddenly went back and touched the foam of blood on the ground, dipping four fingers, And returned and said, 'I was afraid to do it, so I did it. Now I'm no better than you. Don't go down. Please, Reave. Let's hurry and go home. I'm tired.' Reave said to Armstrong, 'That would be best, if you'd take her home. It's only a mile and a half, help her with the horses, won't you? Take mine too. I'll hang the buck in a tree Near where I find him, and come fetch him to-morrow.' 'If you want,' Armstrong said. Helen clenched Her blood-tipped fingers and felt them stick to the palm. 'All right. I'll do What you've chosen,' she said with smoothed lips. 'Mark wins, he said I'd be tired. But he was wrong,' Opening her hand, regarding the red-lined nails, 'To think me all milk and kindness.' Thurso went down The thicket; and Helen: 'Nothing could turn him back. He's never set his mind on anything yet But snuffled like a bloodhound to the bitter end.' They heard the branches Breaking below, and returned by the open slope To the horses across the creek. They rode softly Down the canyon; Helen said, 'I'm not tired. Do you ever think about death? I've seen you play with it, Strolling away while the fuse fizzed in the rock.' 'Hell no, that was all settled when they made the hills.' 'Did you notice how high he held his bright head And the branched horns, keen with happiness? Nothing told him That all would break in a moment and the blood choke his throat. I hope that poor stag Had many loves in his life.' He looked curiously, A little moved, at her face; too pale, like a white flame That has form but no brilliance in the light of day; The wide violet eyes hollowed with points of craving darkness Under the long dark lashes; and the charcoal mark Across her slightly hollowed cheek, where a twig had crossed it When they rode the burnt hillside. He said: 'I ought ToVe gone with Reave, it doesn't seem fair to let him Sweat alone in that jungle.' 'He enjoys toil. You don't know him yet. Give him a blood-trail to follow, That's all he wants for Christmas. What he's got's nothing to him, His game's the getting. But slow, slow: be hours yet. From here we can choose ways, and though it's a good deal longer, There's daylight left, we'll go by the head of the hill: up there you can see the whole coast And a thousand hills. Look,' she said laughing, 'What the crooked bushes have done,' showing her light shirt Torn at the breast, and a long red scratch Under the bright smooth breast. He felt in his mind A moving dizziness, and shifted his body backward From the saddle-horn. A curl of sea-cloud stood on the head of the hill Like a wave breaking against the wind; but when they reached it, windows of clearness in it were passing From the northwest, through which the mountain sea-wall looked abrupt as dreams, from Lobos like a hand on the sea To the offshore giant at Point Sur southward. Straight down through the coursing mists like a crack in the mountain sea-root, Mill Creek Canyon, like a crack in the naked root of a dead pine when the bark peels off. The bottom Of the fissure was black with redwood, and lower Green with alders; between the black and the green the painted roof of the farmhouse, like a dropped seed, Thurso's house, like a grain of corn in the crack of a plank, where the hens can't reach it. Cloud steered between; Helen Thurso said 'What if the rut is a rock canyon, Look how Fm stuck in a rut: do I have to live there? And Reave's old mother's like a white-headed hawk. Your job here's nearly finished, where will you go?' 'I haven't thought: all places are like each other: Maybe Nevada in the spring. There's work all over.' 'I,' she said, trembling; 'it seems cold up here. I hate the sea-fog. Now let's look east.' They had tied The horses to the highest bushes on the north slope, And walked on the open dome of the hill, they crossed it And the east was clear; the beautiful desolate inhuman range beyond range of summits all seen at once, Dry bright and quiet and their huge blue shadows. Helen said faintly, 'He's down there somewhere. It's that deer's blood. It made me drunk, it was too red I thought. Life is so tiny little, and if it shoots Into the darkness without ever once flashing?' They turned back to the dome-top under the cloud. 'You're tired, Helen.' 'I'll not let the days of my life Hang like a string of naughts between two nothings. Wear a necklace of round zeros for pearls; I'm not made that way. Think what you please. Shall we go down now?' 'The cloud has come all around us,' he answered, seeing the distilled drops of the cloud like seed-pearls Hung in her hair and on the dark lashes. He turned to go down to the horses, she said 'I have seen dawn with you, The red moonset and white dawn, And starlight on the mountain, and noon on burnt hills where there was no shadow but a vulture's, and that stag's blood: I've lived with you A long day like a lifetime, at last I've drawn something In the string of blanks.' She lifted her face against his shoulder and said 'Good-bye.' He said 'I'm Reave's friend,' And kissed her good-bye seeing she desired it, her breasts burrowed against him and friendship forgot his mind, With such brief wooing they stirred the deep wells of pleasure. She lay but half quieted, still hotly longing, Her eyes morbidly shuttered like the sleep of fever showed threads of the white and faint arcs of the crystalline Violet irises, barred across by the strong dark lashes; the night of the lids covered the pupils, Behind them, and under the thick brown hair and under the cunning sutures of the hollow bone the nerve-cells With locking fibrils made their own world and light, the multitude of small rayed animals of one descent. That make one mind, imagined a mountain Higher than the scope of nature, predominant over all these edges of the earth, on its head a sacrifice Half naked, all flaming, her hair blown like a fire through the level skies; for she had to believe this passion Not the wild heat of nature, but the superstitiously worshipped spirit of love, that is thought to burn All its acts righteous. While Helen adorned the deed with the dream it needed, her lover meanwhile Explored with hands and eyes the moulded smoothness through the open clothing, reviving his spent desire Until they were joined in longer-lasting delight; her nerve-cells intermitted their human dream; The happy automatism of life, inhuman as the sucking heart of the whirlwind, usurped the whole person, Aping pain, crying out and writhing like torture. They rose and went down to the horses; The light had changed in the sea-cloud, the sun must be near setting. When they were halfway down the mountain The whole cloud began to glow with color like a huge rose, a forest of transparent pale crimson petals Blowing all about them; slowly the glory Flared up the slope and faded in the high air. IV They rode through pale twilight And whispered at the farmhouse door inarticulate leave-takings. Helen went in; Armstrong unsaddled the horses Ahd walked heavily up canyon and crossed the hill. Helen said, 'Reave went after a wounded deer And sent me home. He hasn't come home yet?' Reave's mother said 'We've not seen him,' steadily watching her Across the lamplight with eyes like an old hawk's, Red-brown and indomitable, and tired. But if she was hawk-like As Helen fancied, it was not in the snatching look But the alienation and tamelessness and sullied splendor Of a crippled hawk in a cage. She was worn at fifty To thin old age; the attritions of time and toil and arthritis That wear old women to likeness had whetted this one To difference, as if they had bitten on a bronze hawk Under the eroded flesh. Helen avoided her eyes And said to the other in the room, 'Ah, Mark, you guessed right. I'm tired to death, must creep up to bed now.' The old woman: 'So you came home alone? That young Armstrong Stayed with Reave.' Helen faltered an instant and said, 'No, for Reave sent him with me, wishing his horse To be taken home. Mr. Armstrong stopped By the corral, he was unsaddling the horses I think, But I was too tired to help him. My rifle, Mark, Is clean: I minded your words.' An hour later the heavy tread of a man was heard on the steps And the fall of a fleshy bulk by the door, crossed by the click of hooves or antlers, and Reave came in, His shirt blood-stained on the breast and shoulders. 'I got him,' he said. 'It seemed for awhile I'd be out all night. By luck I found him, at twilight in a buckeye bush. Where's Helen, gone to bed?' 'She seemed flurried with thoughts,' His mother answered, and going to the door that led to the kitchen she called, 'Olvidia,' Bring in the supper.' 'Well, yes,' Reave said. 'I must first hang up the carcass and wash my hands.' 'Olvidia,' His mother called to the kitchen, 'will you tell Johnny: is Johnny there? Tell him to fetch the meat From the door-step and hang it up with the other.' Mark said, 'How far, Reave, did you carry it?' 'Two miles or so. Rough country at first; I held it in front of me to butt the brush with.' 'Why, what does it weigh?' 'Oh,' he said, 'a young buck. About Helen's weight.' 'You are strong,' his mother said, 'that's good: but a fool.' 'Well, mother, I might have hung it In a tree and gone up with a horse to-morrow; I shouldered it to save time.' Mark, enviously: 'You've seen many green canyons and the clouds on a hundred hills. My mind has better mountains than these in it, And bloodless ones.' The dark Spanish-Indian woman Olvidia took Reave's empty plate and the dish, And Mrs. Thurso said, 'Reave, you've big arms, And ribs like a rain-barrel, what do they amount to If the mind inside is a baby? Our white-face bull's Bigger and wiser.' 'What have I done?' 'I'll never say Your young Helen's worth keeping, but while you have her Don't turn her out to pasture on the mountain With the yellow-haired young man. Those heavy blue eyes Came home all enriched.' Reave laughed and Mark said bitterly, 'Mother, that's mean. You know her too well for that. Helen is as clear as the crystal sky, don't breathe on her.' 'You,' she answered fondly. Reave smiled, 'I trust Rick Armstrong as I do my own hand.' 'It shames my time of life,' She answered, 'to have milky-new sons. What has he done for you To be your angel?' 'Why,' he said, 'I like him.' 'That's generous, And rare in you. How old is he?' 'My age. Twenty-four.' 'Oh, that's a better reason to trust him.' 'Hm?' 'You're the same age.' 'That's no reason.' 'No,' she answered. V Toward noon the next day Helen was ironing linen by the kitchen stove, A gun-shot was heard quite near the house, she dropped the iron And ran outdoors and met Mark. 'What was that shot?' 'Don't go up there, Helen.' 'Why not, why not,' she stammered, 'Why not,' the flush of the stove-heat graying on her cheek. 'Reave has put poor old Bones out of pain.' 'Oh, that!' Laughing and trembling, 'Your funeral face. I thought something had happened to someone. Let the old dog sleep.' She went up hill to the screen of seawind-stunted laurel and oak, where Reave was already spading Dust into the gape of a small grave. 'You've done for poor old Bones, have you? You knew I loved him, So you took him off.' 'A pity you came just now, Helen. He died in a moment. If we'd used this mercy Two or three months ago we'd have saved pain.' She answered, quivering with anger, 'You do it on the sly And call it mercy. Ah, killing's your pleasure, your secret vice.' 'I'll wish you sunnier pleasures: and a little Sense in your head: he was made of miseries: you've seen him plead To be helped, and wonder at us when the pain stayed. I've helped him now.' 'Will you do as much for yourself When life dirties and darkens? Your father did.' 'No, I will not,' he said, shovelling the dust. 'What's that said for? For spite?' 'No, Reave. I was wondering. For I think it's reasonable. When the flower and fruit are gone, nothing but sour rind, Why suck the shell? I think your father was right.' 'Drop a little silence on him,' Reave answered. 'We may help out the beasts, but a man mustn't be beaten. That was a little too easy, to pop himself off because he went broke. I was ten years old, I tried not to despise the soft stuff That ran away to the dark from a touch of trouble: Because the lime-kilns failed and the lumber mill Ran out of redwood. My mother took up his ruins and made a farm; She wouldn't run away, to death or charity. Mark and I helped. We lost most of the land but we saved enough.' 'Think of one man owning so many canyons: Sovranes, Granite,' she counted on her fingers, 'Garapatas, Palo Colorado, Rocky Creek, and this Mill Creek.' 'Oh, that was nothing, the land was worth nothing In those days, only for lime and redwood.' She answered, 'You needn't despise him, Reave. My dad never owned anything. While I worked in a laundry and while I crated fruit He ate my wages and lived as long as he could And died crying.' 'We're proud of our fathers, hm? Well, he was sick a long time,' Reave said, patting The back of the spade on the filled grave; 'but courage might live While the lungs rot. I think it might. You never Saw him again, did you?' 'How saw him?' 'We used to see mine Often in the evenings.' 'What do you mean, Reave?' 'Why: in the evenings. Coming back to stare at his unfinished things. Mother still often sees him.' Helen's face brightening With happy interest, 'Oh where?' she said. 'On the paths; Looking up at that thing, with his mouth open.' Reave waved his hand toward the great brown iron skip Hanging on its cable in the canyon sky, That used to carry the lime from the hill, but now Stuck on dead pulleys in the sky. 'It ought to be taken down Before it falls. I’ll do it when we've done the plowing.' Helen said, 'Does he ever speak?' 'Too ashamed of himself. I spoke to him once: I was carrying firewood into the house, my arms were full. He worked a smile on his face and pointed At the trolley up there.' 'Do you really believe,' she said, 'that your father's ghost?' 'Certainly not. Some stain Stagnates here in the hollow canyon air, or sticks in our minds. How could too weak to live Show after it died?' 'I knew,' she answered, blanching again with capricious anger, 'you'd no mercy in you, But only sudden judgment for any weak thing; And neither loving nor passionate; dull, cold and scornful. I used to keep a gay heart in my worst days And laugh a little: how can I live Where nothing except poor Mark is even half human, you like a stone, hard and joyless, dark inside, And your mother like an old hawk, and even dirty Olvidia and Johnny Luna, dark and hollow As the hearts of jugs. The dog here in the ground Oh but how carefully you scrape the blood-lake Had loving brown eyes: so you killed him: he was sometimes joyful: it wouldn't do. You killed him for that.' He answered, Staring, 'Were you born a fool? What's the matter, Helen?' 'If I had to stay here I'd turn stone too: cold and dark: I'd give a dollar For a mirror now, and show you that square face of yours Taken to pieces with amazement: you never guessed Helen's a shrew. Oh, what do you want her for? Let her go.' She left him; and when he came in at noon Spoke meekly, she seemed to have wept. VI In the evening, in Helen's presence, Reave's mother said, 'Did that sand-haired young man Find you, Reave, when he came this afternoon? He didn't come to the house.' 'Who?' 'That road-worker, Arnfield.' 'Rick Armstrong?' 'Most likely: the one I warned you Not to pasture your heifer with.' 'He was here?' 'No, Not here. I saw him come down the hill, and Helen Went out to meet him.' Mark Thurso looked up From the book he'd been reading, and watched his mother As a pigeon on a rock watches a falcon quartering The field beyond the next fence; but Helen suddenly: 'Now listen, Mark. I'm to be framed, ah? I think so. I never liked her.' The old woman said, 'Did you say something?' 'Not yet,' she answered. Reave made a mocking Noise in his throat and said, 'Let them alone. No peace between women. This morning I sent Luna over the hill With one of the bucks we killed, no doubt my friend came over At quitting-time to say thank-you: why he didn't find me's Less clear, but watch the women build it between them To a big darkness.' 'Not I,' Helen said, And dipped her needle two or three careful stitches In the cloth she was mending, then looked up suddenly To see who watched her. 'If I'd seen him,' she said, 'I'd have spoken to him. I am not sick with jealousy of your new friend. But he was probably not here; the old eyes that make A dead man's phantom can imagine a live one's.' The old woman: 'When you saw him you ran to meet him; I sent Olvidia To see if the speckled hen had stolen a nest in the willows. She walked down there, what she saw amazed her. I've not allowed her to tell me though she bubbles with it. Your business, Reave: ask her. Not mine: I'm only The slow man's mother.' Helen stood up, trembling a little and smiling, she held the needle and the spool And folded the cloth, saying 'Your mother, Reave, Loves you well: too well: you and I honor her for that. She has hated me from the day she heard of me, But that was jealousy, the shadow that shows love's real: nothing to resent. But now you seem very friendly With that young man too: she can't bear to yield you again, it cracks the string of her mind. No one can fancy What she's plotted with the kitchen woman . . .' Mark Thurso said with lips that suddenly whitened: '7 met Armstrong. I told him you'd ridden up the high pasture, for so I believed. He asked me to thank you warmly For the buck you sent: I forgot to tell you. I was with him while he was here, and when he went back I hobbled Some ways up hill.' The old woman moved her lips but said nothing; but Reave: 'Here: what's the matter, Brother? You were with me constantly all afternoon.' 'But an hour,' Mark said. 'Hm? Five minutes.' Then Helen, Looking from the one to the other: 'If I am hated, I think I am loved too. I'd something to say . . . Oh: yes: will you promise, Reave, promise Olvidia You'll give her, for telling the perfect truth, whatever your mother has promised her for telling lies: then I'm safe. Call her and ask her.' He answered, 'She'll sleep in hell first. Here's enough stories Without hers in the egg-basket. Do you think it was Armstrong you saw, mother? I trust Rick Armstrong From the bright point to the handle.' Helen said, 'Ah, Mark, You'd never imagine I'd be satisfied with that. I have to be satisfied with that.' 'Why not?' Reave said. And she: 'If it was nothing worse than killing to fear I'd confess. All kinds of lies. I fear you so much I'd confess ... all kinds of lies ... to get it over with,' She said, making a clicking noise in her throat Like one who has drunk too much and hiccoughs, 'only To get it over with: only, I haven't done anything. This terror, Mark, has no reason, Reave never struck nor threatened me, yet well I know That while I've lived here I've always been sick with fear As that woman is with jealousy. Deep in me, a black lake His eyes drill to, it spurts. Sometime he'll drill to my heart And that's the nut of courage hidden in the lake. Then we'll see. I don't mean anything bad, you know: I'm very innocent, And wish to think high, like Mark. Olvidia of course is a hollow liar. May I go now? I'm trembling-tired: If you'll allow me to go up to bed? But indeed I dare not While you sit judging.' She looked at Mark and slightly Reached both her hands toward him, smiled and went out. But in the little dark hallway under the stair, When she hastened through it in the sudden darkness, The door being neither open nor shut passed edgewise Between her two groping hands, her cheek and brow Struck hard on the edge. Her moan was heard in the room of lamplight; Where they had been sitting silent while she went out, An4 when she had gone Mark Thurso had said, 'Mother: You've done an infamous thing.' 'They might play Jack and queen All they please,' she answered, 'but not my son For the fool card in the deck,' the shock of struck wood was heard, And Helen's hushed groan: Mark, dragging his lameness, reeled Swiftly across the room saying 'What has she done?' He groped in the passage and spoke tenderly, then Reave Went and brought Helen to the lamplight; a little blood Ran through her left eye to her lips from the cut eyebrow. The implacable old woman said 'She's not hurt. Will you make a fuss?' Helen said, 'The wood of your house Is like your mother, Reave, hits in the dark. This will wash off.' She went to the kitchen and met Olvidia who'd been listening against the door, Then Helen, moaning 'I'm ringed with my enemies,' turned To flee, and turned back. 'I will take it now. My husband, Olvidia, Is ready to kill me, you see. I have been kind to you Two or three times. Have you seen any unusual Or wicked meeting to-day?' The Indian woman, Dreading Reave's anger and seeing the blood, but hardly Understanding the words, blanked her dark face And wagged her head. 'Don't know. What you mean, wicked? I better keep out of this.' 'A dish of water, Olvidia. Be near me, Mark. Reave: will you ask her now?' He said 'Wash and be quiet.' Helen said, 'Oh Olvidia, Someone has made him angry at you and me. Look in my eyes. Tell no bad stories . . . lies, that is ... Did you see anything when you looked for eggs In the willows along the creek?' Olvidia folded Her lips together and stepped backward, then Helen Sighed, dabbling her cheek with water. 'It hurts. I think It will turn black.' Reave suddenly shouted 'Answer.' Olvidia, retreating farther: 'What you want of me? I find no eggs.' Mark said, 'Come, Helen, Oh come. I've watched innocence tormented And can no more. Go up and sleep if you can, I'll speak for you, to-morrow all this black cloud of wrong Will be melted quite away in the morning.' Reave said, 'Don't fawn on her, you make me mad. Women will do it. But why praise 'em for it?' Helen, meekly: 'I am very tired and helpless and driven to the edge. Think kindly of me, Mark, I believe I shall be much hated. Your mother . . . This is all. Light me a candle.' At the foot of the stair She closed the door, and silently tip-toed through The passage and the other room to the door of the house, There pinched the wick, and praying for no wind To make a stir in the house, carefully opened The outer door and latched it behind her. She traversed the hill, And at the road-men's camp, plucking at the fly Of a lit tent, thought momently it was curious She stood among so many unrestrained men Without fear, yet feared Reave. 'I must see Rick Armstrong This moment: which tent?' They laid their hands of cards Carefully face down on the packing-box. 'Why, ma'am, I can't say exactly,' but she had run off To another lamp of shining canvas and found him. 'Let me stand into the light.' She showed her cut brow A little bleeding again with hurry in the dark, And the purpling bruise. 'What Reave did. Your friend Reave. His mother spied and told on us. What will you do?' 'By God!' 'Oh,' she said, 'that's no good. How could you keep me here? Borrow a car, There are cars here.' He said 'I'll take care of you.' She shuddered, Beating her fists together, breathed long and said: 'If you choose to stand here and talk among the men listening It is not my fault. I say if you and these men could stop him when he comes You can'tto-night, to-night, in an hour nothing can stop him: he'd call the sheriff to-morrow and have me Like a stolen cow, nothing but ridiculous, a mark for children to hoot at, crying in my hair, probably Led on a rope. Don't you know him? I do. Oh my lover Take me to the worst hut at the world's end and kill me there, but take me from here before Reave comes. I'd go so gladly. And how could you bear to face him, he thought you his faithful friend, for shame even? Oh hurry, hurry!' VII In the desert at the foot of sun-rotted hills A row of wooden cabins flanks a gaunt building Squatted on marbly terraces of its own excrement, Digested rock from which the metal has been sucked, Drying in the rage of the sun. Reave Thurso stopped At the first cabin, a woman came out and pointed; He went to the farthest cabin, knocked, and went in. 'Well, Helen. You found a real sunny place.' Opening the door She'd been a violet-eyed girl, a little slatternly But rich with life; she stood back from the door Sallow, with pinched nostrils and dwindled eyes, As if she had lost a fountain of blood, and faintly Whispering 'I knew you.' Reave looked about him like one Attentively learning the place, and Helen said 'I never hoped that you wouldn't come at last, It seemed a kind of blood-trail for you to follow. And then I knew you were tardy and cold of course and at last You'd come at last, you never give up anything, How did you track us at last?' 'Oh,' he laughed, 'Time and I. He's at work?' 'Yes.' 'If you wanted to hide You'd have got him to change his name.' 'I begged him to,' she answered, Suddenly weeping, 'so many times.' 'Don't cry, don't cry. You know that I'll never hurt you. Mark loves you too, he's been very lonely. He wanted me to let you go, But that was nonsense. He's been sick since you went away. Do you remember the rose-bush you made me buy That time in Salinas? Mark's watered it for you, sick or well, Every day, limping around the house with a pail of water spilling on his poor ankle-joint, He'll be glad to see you again. Well, pack your things.' She gathered Her blanked face to some show of life. 'Look around at this country. Oh Reave. Reave. Look. I let him Take me here at last. And he hasn't been always perfectly kind: but since I’ve been living with him I love him . . . My heart would break if I tried to tell you how much. I'm not ashamed. There was something in me that didn't Know about love until I was living with him. I kissed him, when he went back to work this noon. I didn't know you were corning; forgot you were coming sometime. See how it is. No: I understand: You won't take me.' He, astonished: 'Not take you? After hunting you a whole year? You dream too much, Helen. It makes you lovely in a way, but it clouds your mind. You must distinguish. All this misfortune of yours Probably . . .' 'Oh God,' she said, shuddering, 'Will you preach too? First listen to me: I tell you all the other joys I’ve ever known in my life Were dust to this . . . misfortune; the desert sun out there is a crow's wing against the brightness of this . . . Misfortune: Oh I didn't mean, dear, To make you angry.' She was suddenly kneeling to him and pressed her face On his hard thigh: 'I know Pve been wicked, Reave. You must leave me in the dirt for a bad woman: the women here See the marks of it, look sidelings at me. I'll still believe you used to love me a little, But now of course You wouldn't want for a wife ... a handkerchief You lost and another man picked me up and Wiped his mouth. Oh there may have been many Other men. In a year: you can't tell. Your mother is strong and always rightly despised me. She'd spit on me if she saw me now. So now You'll simply cast me off; you're strong, like your mother, And when you see that a thing's perfectly worthless You can pick it out of your thoughts. Don't forgive me. I only Pray you to hate me. Say 'She's no good. To hell with her! That's the mercy I pray you for.' He said hastily, 'Get up, This is no theater. I intend to take you back, Helen, I never was very angry at you, remembering That a. woman's more like a child, besides you were muddled With imaginations and foolish reading. So we'll shut this bad year In a box of silence and drown it out of our minds.' She stood away from him toward the farther wall With a sharp white face, like a knife-blade worn thin and hollow with too much whetting, and said, turning her face Toward the window, 'How do I know that he can compel me? He can torment us, but there's no law To give me to him. You can't take me against my will. No: I won't go. Do you think you're God, And we have to do what you want?' He said, 'You'll go all right.' She, laughing, 'At last you've struck something Stiffer than you. Reave, that stubborn will Is not strength but disease, I've always known it, like the slow limy sickness You hear about, that turns a man's flesh to bone, The willing muscles and fibers little by little Grow hard and helpless, at last you can't dent them, nothing will move, He lands in a tent beside the circus, with a painting of him Over the door and people pay ten cents To see the petrified man: that's your stubbornness, Your mind sets and can't change, you don't go on Because you want to but because you have to, I pity you, But here you're stopped.' Suddenly she trembled and shrank little again. '7f you could take me I'd stab you in bed sleeping.' 'You know,' he answered, 'You're talking foolishness. I have to see Armstrong before we go, When he quits work, I guess there's a couple of hours, but you'd best get ready.' 'Why must you see ... Rick?' Reave made no answer, Helen covertly watched him, slowly the metal temper failed from her face. 'I'll go,' she said faintly, 'and tell him.' 'You'll stay here.' 'Reave? Reave. You said you weren't angry.' 'Not at you. If I'd anyone To help me, I'd send you off first. Walked around like a man, Was a male bitch . . .' 'I led him, I called him, I did it. It's all mine.' 'What?' 'The blame, the blame, the blame, I planned it, all mine, I did it, Reave.' A white speck glittered At the commissure of his lips, he licked his lips As if he were thirsty and said difficultly, 'I've had a Year to think about it: have to have relief, you're Let off, keep still.' She felt his eyes Craftily avoiding hers, and something monstrous in him moulding the mass of his body to a coarsened More apelike form, that a moment appeared and then was cramped back to human: her image-making mind beheld Her lover go under the hammers of this coarse power, his face running thick blood turn up at last Like a drowning man's, before he went down the darkness, all his gay bravery crushed made horrible submission: With any warning or whatever weapons he'd be like a bird in a dog's mouth, Reave had all the strength, Would fight foul, with all means and no mercy: 'Oh, Oh, take me with you If you want me, but now. Before he comes. How could I look at him again if I'm going to leave him? You understand That's too much to ask me, to stand between you Like a cow between the brown bull and the white one. In spite of all I'm not so ... shameless as ... You think.' He made a questioning noise, 'Hm?' and she thinking He'd failed to hear: 'I'll go and live with you If you'll take me now. I can't face Rick, not wait for Rick,' She said, weaving and parting the fingers Of her two supplicant hands. She essayed more words, But only the lips and no voice made them, then again Breath filled the words, 'I've done wickedly, I'm sorry. I will obey you now.' His eyes were hidden While he considered, all at once he said joyfully 'Pack then.' 'Me, not my things: there's nothing.' 'Then come.' She followed him; suddenly in the doorway she dropped And kissed the threshold. Thurso watched and said nothing; She got up and walked at his side in the hot white dust by the row of small cabins, The wood of their doors and walls was worn to the look of seadrift by the desert sand-scour. Suddenly Helen Laughed like the bitter crying of a killdeer when someone walks near the nest, 'My God, Reave, have you come for me In the old wreck of a farm-truck, will it still run?' 'What else? We haven't got rich, we haven't bought cars While I've been away from home hunting you.' 'The pigs and I,' she cried shrilly. Reave nodded, and went to the door Of the last cabin, and said to the woman to whom he had spoken before: 'I'm taking my wife home. This woman's my wife. When Armstrong comes, tell that bastard We're going west. He's got a car.' Helen cried, 'Oh, cheat, cheat, Will you tole him after you?' He said heavily. 'What do you mean? Come on,' and so holding her wrist that the bones ached Drew her to the car. She had yielded and was subject to him, She could imagine no recourse, her mind palsied Like the wrist-clenched hand. VIII After twenty miles he turned The carbureter-connection, slyly regarding His seat-mate, she fogged with misery observed nothing. The engine went lame, 'What's the matter?' he said, turning The carbureter-connection; the engine stalled. He lifted the hood and made the motions of helplessness, Looking up sometimes at Helen, who sat in the dust on the high seat on the folded blanket, Her face in her hands. 'We're stuck here,' Thurso said. 'Well, we have water.' She dropped her hands from her face And stared at the road ahead; then she began to see the desert about them, the unending incandescent Plain of white dust, stippled with exact placing of small gray plants, each tuft a painfully measured Far distance from every other and so apparently forever, all wavering under the rage of the sun, A perfect arena for the man's cruelty; but now she was helpless. Still Armstrong failed to come; Helen awoke again From blind misery, and watched Reave's nerves Growing brittle while the sun sailed west. He babbled childlike About cattle and pastures, things unreal, unimaginable, In the white anguish here; his hands quivered, And the sun sank. In the night Helen revived Enough to make action appear possible again. She crept stealthily away in the starry darkness Thinking Reave slept; when he spoke she tried to run, Her thighs and calves were like hollow water, he followed And brought her back through the vast unnatural pallor of the night, Rough-handed, but only saying 'You're too restless.' She writhed her hands together like bitter flames and lay down On the spread blanket. After while she lay face upward. Those foam-bubbles on the stale water of night Were floating stars, what did it matter, which of two men? Yesterday the one had been lovely and the other Came in like ugly death, but difference had died. Rick Armstrong must have made some ridiculous plan For heading them off or else he'd have come. Perhaps he thought she went willingly. Why not? 'I go with you willingly,' She said aloud, 'dear, do you hear me? I've shot my load of feeling, there's nothing left in the world Worth thinking twice. We'll crawl home to our hole.' He answered, 'I can't believe he's a coward: he'll come in the morning.' 'I dread death More than your mother's eyes,' she answered. 'I'm the coward or I'd kill myself. Dear, I fear death More than I hate this dishwater broth of life. A bowlful a day, O God! Do the stars look Like lonely and pretty sparkles when you look up? They look to me like bubbles of grease on cold Dishwater.' He said, 'Sleep, you’ll feel better.' He heard her sighing And twisting her body on the sand while the night waned. He got up and stood beside her and said anxiously, 'I was to blame too, Helen. Part of the blame Is mine, Helen. I didn't show enough love, Nor do often enough What women want. Maybe it made your life Seem empty. It seems ... it seems to me it wouldn't be decent To do it just now: but I'll remember and be Better when we get home.' She said, 'O God! Fool, fool, A spoonful a night. Your mother was lying to you. She knows better.' In the morning Thurso waited two hours from sunrise; They had nothing to eat; Helen endured her headache, and the shameless sun Blared from the east. Reave greased the joints of the truck. When one of those long gray desert lizards that run With heads raised highly, scudded through the white sand, He flung the wrench suddenly and broke its back And said 'He won't come then. My God, Helen, Was he tired of you? He won't come.' She watched her husband Pick up the wrench and batter that broken life, Still lifting up its head at him, into the sand. He saw the yellow Grains of fat in the red flesh and said, 'Come here, Helen. Yellow you see, yellow you see. Your friend makes us all vile.' She understood That 'yellow' meant cowardly, and that this was Armstrong Battered to a cake of blood. IX They drove west Through the white land; the heat and the light increased, At length around a ridge of ancient black lava Appeared a place of dust where food could be bought, but Helen Would eat nothing. In the evening they came 293 THURSO'S LANDING Among fantastic Joshua-trees to a neat Framed square of cabins at the foot of a mountain Like a skeleton; seeing Helen so white and sick, And the motor misfiring, Reave chose to lodge at this camp. He'd tinker the engine while there was daylight. He found the timer Choked up with drift of the desert; having washed it with gasoline and heard the cylinders Roar cheerfully again, he returned to Helen. She was not in the cabin, But sat with chance companions on a painted bench under the boughs of one of those reptilian trees Near the camp entrance; no longer white and morose, her face was flushed, her eyes sparkling with darkness In the purple evening that washed the mountain. Before he came she was saying, 'My husband just doesn't care What anyone thinks: he said, all right, if I wanted to see the desert, but he wouldn't take either one Of our new cars to be spoiled, he'd drive the old farmtruck . . .' Seeing Reave approaching, greased black to the elbows, 'Oh, Oh, What's he been doing? Oh: it's black, I think? Dear, I felt better When the sun went down.' He, staring at her companions: 'That's good.' 'They call it desert fever,' she stammered. 'The heat's the cause.' She stood up, giggling and swaying. 'Was nearly exhausted, they gave me a little medicine. Nice people.' 'What did you give her?' 'She begged for a tablespoonful,' the old woman answered, 'Texas corn-whiskey. Are you going west?' Helen said gravely, 'A spoonful a night: O God!' 'She's eaten nothing,' Reave said, 'Since yesterday. Come and lie down, Helen.' She obeyed, walking unsteadily beside him, with terrified eyes. 'Dear, please don't touch me, your hands are terrible,' she said. 'They think you killed him.' He made her lie down on the bed while he washed himself. She wept and said, 'I always make friends easily. I used to be full of joy. Now my wishes Or your own soul will destroy you when you get home. I'd give my life to save you.' He groaned angrily, But she was unable to be silent and said: 'I think you're even worse hurt than I am. Were you ever on a ship? This place is like a ship, everything smells In spite of neatness, and I am desert-sick. Oh, Reave, I never dreamed that you'd be deep-wounded. Forgive me dear.' He violently: 'Lick your own sores. The man was my friend and that degrades me: but you’ve Slept with him. You couldn't help but have learned him In a year's familiar life and I've been thinking That whores you, because no woman can love a coward, And still you stayed . . .' 'For his money, for his money you know,' She answered through chattering teeth, 'and the fine house You found me in among the rich gardens, the jewels and furs, Necklaces of pearls like round zeroes, all these hangings of gold That make me heavy . . .' 'Ah,' he said, 'be quiet.' He went out, and returning after a time with a tray of food Lighted the lamp and cut meat in small bites and forced her to eat. 'Dear,' she mourned, 'I can't swallow Though I chew and chew. The rocking of the ship and the hot smell close up my throat. Oh be patient with me. When we land I'll feel better,' her deep-colored eyes moving in sickly rhythm to the roll of the ship, He said 'You're in the desert: an auto-camp by the road. Wake up and eat.' She sat up on the bed And looked anxiously about the bleak lamplight, then took the tray And obeyed his will. 'I thought you were my dad. Once we travelled on a boat from the south To San Francisco. I expect I saw from the deck the Mill Creek mountains and never Guessed,' she said, shuddering. While she ate she began to fear That people who were going to die dreamed of a ship The night before. The truck would be overturned And crush her body in the sand like that lizard's, A tire would have burst. Against the black horror of death All living miseries looked sweet; in a moment of aimless Wild anguish she was unable not to cry out, and said: 'Ah, Ah, what have you done, tearing me from him? I love him, you know. Maybe he's cowardly or maybe he's only tired of me, but if he's yellow to the bones, if he's yellower than gold, I love him, you know. If I were crushed in the sand like that lizard you killed, to a cake of blood why not? for I think you'll Do it sometime the sun would dry me and my dust would blow to his feet: if I were dead in the desert And he drowned in the middle ocean toward Asia, yet something and something from us would climb like white Fires up the sky and twine high shining wings in the hollow sky: while you in your grave lie stuck Like a stone in a ditch.' He, frowning: 'Have you finished?' He took the tray and said, 'Have you had enough?' 'Never enough. Dear, give me back to him. I can't think yet That you understand,' she said slyly and trembling. 'Don't you care, that he and I have made love together In the mountains and in the city and in the desert, And once at a Navajo shepherd's camp in the desert in a storm of lightnings Playing through the cracks of the shed: can you wink and swallow All that?' 'I can't help it. You've played the beast. But you are my goods and you'll be guarded, your filthy time Has closed. Now keep still.' She was silent and restless for a good while. He said, 'You'll be sleeping soon, and you need sleep. I'll go outside while you get ready for bed.' 'Let me speak, just a little,' she said humbly. 'Please, Reave, won't you leave me here in the morning, I'll manage somehow. You're too strong for us, but, dear, be merciful. I think you don't greatly want me: what you love really Is something to track down: your mountains are full of deer: Oh, hunt some bleeding doe. I truly love you. I always thought of you as a dear, dear friend When even we were hiding from you.' He was astonished To see her undress while she was speaking to him, She seemed to regard him as a mere object, a keeper, But nothing human. 'And Rick Armstrong,' she said, 'I can't be sure that I love him: dear, I don't know That I'll go back to him; but I must have freedom, I must have freedom If only to die in, it comes too late . . .' She turned her back and slipped off the undergarment And glided into the bed. She was beautiful still, The smooth fluted back and lovely long tapering legs not changed, Nor the supple motions; nor that recklessness Of what Thurso called modesty was any change; She never tried to conceal her body from him Since they were married, but always thoughtless and natural; And nestled her head in the pillow when she lay down With little nods, the tender way he remembered: So that a wave of compassionate love Dissolved his heart: he thought, 'Dearest, I've done Brutally: I'll not keep you against your will. But you must promise to write to me for help When you leave that cur.' He made the words in his mind And began to say: 'Dearest . . .' but nothing further Had meaning in it, mere jargon of mutterings, the mouth's refusal Of the mind's surrender; and his mind flung up a memory Of that poor dead man, his father, with the sad beaten face When the lime-kilns failed: that man yielded and was beaten, A man mustn't be beaten. But Helen hearing The 'dearest,' and the changed voice, wishfully Lifted her head, and the great violet eyes Sucked at Reave's face. 'No,' he said. He blew out the lamp, Resolved to make this night a new marriage night And undo their separation. She bitterly submitted; 'I can bear this: it doesn't matter: I'll never tell him. I feel the ship sailing to a bad place. Reave, I'm so tired That I shall die. If my wrist were broken You wouldn't take my hand and arm in your hands And wriggle the bones for pleasure? You're doing that With a worse wound.' Her mind had many layers; The vocal one was busy with anguish, and others Finding a satisfaction in martyrdom Enjoyed its outcry; the mass of her mind Remained apparently quite neutral, under a familiar Embrace without sting, without savor, without significance, Except that this breast was hairier. X They drove through the two deserts and arrived home. Helen went in With whetted nerves for the war with Reave's mother, resolving Not to be humble at least; but instead of the sharp old woman a little creature With yellow hair and pleated excess of clothing stood up in the room; and blushed and whitened, anxiously Gazing, clasping thin hands together. Reave said, 'It's Hester Clark.' And to Hester Clark: 'Tell Olvidia To count two more for supper; my wife and I have come home.' She answered, 'Oh yes,' fleeing. Then Helen: 'What's this little thing? Why does it wear my dress?' 'She's only hemmed it over,' he said, 'at the edges. Have it again if you want, I had to find something for her.' His mother was heard on the stair, and entering Looked hard at Helen and went and kissed Reave. Who said, 'I shall stay at home now, mother: Helen's come home.' 'Yes. How do you do.' Her red-brown eyes brushed Helen's body from the neck to the ankles, 'I'll have them heat Bathwater.' Helen trembled and said, 'How kind. There are showers in all the camps: if you mean anything else: Reave seems content.' 'Very well. He's easily of course contented. He picks up things by the road: one of them I've allowed to live here: to speak honestly In hope to keep his mind off another woman: but that cramps and can't change.' 'If I knew what I want!' Helen cried suddenly. 'The girl is a servant here,' Reave said. 'I hate the spitefulness of women. The housework Needed help when you were not here.' Then Helen: 'She's quite sick I think: she'll have to clear out I think. Yet something in me felt kindly toward that little wax face In my old clothes. I came home against my will. Why isn't Mark here?' The far door opened for Olvidia, Unable to imagine any pretext for entrance, but unable to bridle her need Of coming, to stare and smile from flat black eyes. Behind her Johnny Luna was seen peering, but dared not enter. Then Helen wondered, where was that thin little thing? Crying somewhere? And Reave's mother said: 'Now you'll cut down The old cable, as you promised, Reave. We're tired of seeing it. You'll have time now.' He answered, 'Where's Mark, mother? Helen just asked you.' 'I heard her. Sitting under a bush on the hill, probably. Your wife's adventures Stick in his throat.' Then Helen, trembling, and the words marred By sudden twitchings of her lips: 'I'm not ashamed. No reason to be. I tried to take myself out of here And am brought back by threats and by force, to a gray place like a jail, where the sea-fog blows up and down From the hill to the rock, around a house where no one ever loved or was glad. But your spite's nothing, Pour it out, I'll swim in it: and fear Reave but not you, and maybe after while . . . That's all. Reave, I'll go up And change my dress before supper, if your ... if little wax-face you know . . . has left me any Clothes in the closet.' She went upstairs; the others were silent, Until the old woman: 'Ah why, why,' she said, 'Reave, Did you have to bring back ... I know. You had to. Your mind Sticks in its own iron: when you've said 'I will Then you're insane, the cold madness begins. It's better than weakness,' He answered with shamefast look shunning her eyes, 'I must tell you, mother, Though it may seem strange: I love her, you know. Some accident, Or my neglect, changed her; I'll change her over And bring the gold back.' 'You talk like poor Mark. Oh, worse. Mark at least feels disgust. A woman that can't it seems Even have babies. . . . About the old cable: He's been seeing lately . . . your father: the man who's dead . . . Pitifully staring up at it in the evenings. He broods on that. The shock of your disgrace I believe Started his mind swarming, and he hobbles out In the starlight. I wish you to keep your promise And cut that ruin from our sky. It's bad for Mark To remember his father; and I've a feeling The memory slacks us all, something unlucky will clear When that cord's cut. Don't you hate seeing it?' 'Oh, yes, Like anything else that's no use. It'd fall by itself Some winter. I'll cut it down. There are trees under it That have to be saved. Mother, I won't ask you To make friends with my wife: you're not to fuss either. And don't prod her with Hester. We'll have some peace in the house, Or I'll growl too.' XI Mark's lameness appeared more painful than formerly; Helen from the window seeing him Limping across the dooryard, she went and followed. He stood by the sycamore, under great yellowing leaves, And Helen: 'You hardly spoke to me last night, though a year had passed. Have I lost your love, my brother? I valued it. I need it more than in happier times.' 'That . . .' he answered, 'Oh Helen!' 'Because I could hardly think how to live here,' she said, 'without it.' 'I have no color of words To say how dearly . . . When I seem dark: you must think of me as a foolish day-dreamer Whose indulgence turns and clouds him, so that he sees a dead man Walk on the deck, and feels the ship sailing Through darkness to a bad place.' She, astonished with memory: 'The ship, the ship?' 'You see. My foolish dreams Twine into my common talk. Maybe it's my hearing at night The watery noises and hoarse whisper of the shore that sets me Into that dream, I feel the see-sawing keel, my mind tries darkly ahead under the stars What destiny we're driving toward. . . . Do you think, Helen, a dead man's Soul can flit back to his scene long afterwards?' 'Your father, you mean? But I was lying in the scrawny desert, A thousand miles from any noise of the shore. It scared me because I seem to remember hearing That to dream of a ship means death . . .' 'If that's all,' he smiled meagerly: 'If we both dream it. I, for one, shan't trouble My survivors with any starlight returns, but stick to peace Like a hungry tick.' 'Oh,' she said eagerly, 'hush. It's wicked to talk like that.' He was silent, then said, 'Did you love him, Helen?' She clenched her hands, and turning Her head from him, 'I thought you'd ask that. What's love?' And laid her hand on the leaning pillar of the tree To turn herself back to his face, to study no higher Than the lean jaw and strained mouth, lower than the eyes, And carefully said, 'Of course I loved him; but I believe My shining terror of Reave was the cause. For now that desert stalk's cut, the old root of fear Seems aching to a new flowering. Why do I fear him? I know for certain He'll neither kill me nor beat me, I've proved it: and I even tricked him out of his vengeance, you know, he came home With nothing but me. . . . Where did he get that Hester? No, tell me after while. . . , Listen. I used to think That the only good thing is a good time: I've got past that . . . Into the dark. I need something, I can't know what it is.' She thought in her heart: 'I know. To humble your strong man, that's what I need.' And said: 'To be free. He called me a harlot, Marie. I am a Harlot of a rare nature. The flesh is only a symbol. Oh, can't you see me Beaten back and forth between the two poles, between you and Reave?' She watched, that his lips moved like a plucked string, So that she thought 'It can be done,' and said, 'The one pole's power, that I tried to escape: that strong man, you know: And have been . . . retrieved, and can't tell whether I hate him Or what. The second, you can name better than I: The power behind power, that makes what the other can only Direct or destroy. See how wise I've grown. Dear: in the desert I cried a good deal at night: it wasn't for Reave, Nor for his mother! my eyelids rained in the dusty Country where rain's not natural. I'd look up the night And see the sharp dry stars like great bubbles Blown up and swollen, full of most bitter rainbows, Float on the wave of the world: it was for you My tears ran down.' She watched his mouth, in the thought That if she stretched romance to laughter, or his doubting point, She'd be warned by his lips: but Mark perhaps had not even heard her; he said, 'I used to thank God Whatever it is that's coming, Helen's not here. If even she's crying in the night somewhere: she's flown Like a bird out of the hands of our catcher. Now you've come home! . . . Oh, at better times I think my fears are only a flaw of the mind; Or else that the dark ship driving to its drowning Is only my own poor life: that might go down Without a bubble.' She angrily: 'Reave at least Is something solid to fear . . . You and your shadows! I was going to make love to you, Mark, All to spite Reave and because he bores me, but your nonsense Has run mine out of breath. You've missed something. Tell me about this . . . what's her name? Reave's wisp, All eyes and hair.' Mark failed to answer; she looked And saw his face fixed and anxious. 'What's the matter now?' 'Is that Reave?' he whispered. 'Exactly. What's in Reave To make you dome out your eyes like a caught fish?' 'He's staring up at the cable, Helen! The old man stands in That same place and stares up at the cable Every night.' 'Soon to miss his amusement, poor ghost. Reave's planning to take it down. Be sure when Reave looks up He has a purpose.' He approached and said, 'To-morrow morning We'll cut it down. But the best trees in the canyon Stand in the shadow of its fall. I've planned a way to tie the cut end with rope And steer it west in its fall, and I hope clear them. They must take their chance.' He looked at Mark and said, 'We'll feel better After the old advertisement of failure's down. It's cobwebbed the canyon for twenty years.' He looked at Helen: 'We'll start a new life to-morrow.' She marvelled secretly At the reasonless anger that ran through her dry nerves like a summer grass-fire, and shrilly, 'You and I?' she answered, 'Or you and your . . . little floozie, that whittled match?' He frowned, his temples darkened with the heavy muscle Setting the jaw, he said in a moment: 'I've given Hester notice to go. She's going to-morrow. You're staying. So rest your mind.' 'Ah, Ah,' she said, 'be proud of strength while you can. Cut the cable And forget your father. Whatever fails, cut it down. Whatever gets old or weakens. Send Hester packing Because a bigger woman's brought home. If a dog or a horse have been faithful, kill them on the shore of age Before they slacken. See to keep everything around you as strong and stupid As Reave Thurso.' And turning suddenly: 'Oh, Mark, tell me what's good, I don't know which way to turn. Is there anything good? Whisper, whisper. That mould of hard beef and bone never asks, He never wonders, took it ready-made when he was a baby, never changes, carft change. You and I Have to wonder at the world and stand between choices. That's why we're weak and ruled. If we could ever Find out what's good, we'd do it. He'd be surprised. What a rebellion!' She changed and said, 'Reave? Let that girl stay a week; you might need her yet. In any case I'd like to know her a little. She keeps out of my way, I haven't had time. A week or two.' He, staring: 'That's a sickly thing For a man's wife to want. No. She's going At the set time. If you can't tell what's good: It's lucky I have a compass and can steer the ship.' 'Oh, Oh. That ship again?' she cried laughing, 'Maybe there's something in it, if even Reave . . . Can you feel it straining through the dark night? Mark: you heard him: He's a dreamer too. You'd never imagine it, To see him stand there so fleshy, shaking his head Like a bull in fly-time: if he dreams he'll fall yet. We'll try.' She turned and went toward the house. Reave said, 'What was all that? There was a time when I'd have stared at myself For bringing home . . . and letting it talk and talk As if it had rights in the world. It's her colored abounding life That makes her lovely.' 'She's tied to you,' Mark answered, 'Like a falcon tied up short to a stone, a fierce one, Fluttering and striking in ten inches of air. I believe deeply You're precious to each other.' 'Hm. I bear clawing As well as anyone.' Mark, earnestly: 'Oh be good to her, Not to let her be hurt in the coming time.' 'No more of that, Mark. You know these forebodings Date from our time in France and the muddy splinter That wrecked your ankle. You must make allowances.' He answered, 'You'd think This rocked-in gorge would be the last place in the world to bear the brunt: but it's not so: they told me This is the prow and plunging cutwater, This rock shore here, bound to strike first, and the world behind will watch us endure prophetical things And learn its fate from our ends.' 'Booh. We'll end well,' he answered, laughing, 'the world won't watch. When you and I toast long white beards and old freckled hands, and Helen Like a little shrivelled apple by the fire between us Still faintly glows, in the late evenings of life, We'll have the fun that old people know, guessing Which of us three will die first. I dare say the world Will be quite changed then.' 'You're very hopeful. But even you I think feel the steep time build like a wave, towering to break, Higher and higher; and they've trimmed the ship top-heavy. . . . Do you take it down to-morrow?' 'Ah? The cable you mean? I told you: in the morning. You must all come and watch. The fall will be grand. Those things have weight.' XII Helen had gone As if she carried news in her mind through the house to the kitchen; there dark Olvidia Stood big and ominous in a steam of beef boiling. 'Where's your helper, Olvidia, the little mop That pares potatoes?' She answered sadly, 'Is cabbage too.' 'I say where's the elf-child, The inch with the yellow hair? Ought to be helping you.' 'Oh, that? She going away.' 'To-morrow, maybe. Where is she now?' The Indian rolled her dun eyes Toward the open door of the laundry, and Helen passing Looked all about among piled tubs and behind An old desk of Reave's father's; the girl she sought Stood up in a corner. 'What enormous eyes you have. Why were you hiding?' Helen said. 'Oh no. I'd done my work,' She answered plaintively, 'I was just thinking here. I have to go away to-morrow.' 'Wearing my dress,' Helen said. 'Did you come here without any clothes at all?' 'He . . . Mr. Thurso . . . mine were worn out, He burned them up.' 'A handkerchief would cover you, though. I don't believe you weigh ninety pounds Without the weight of my clothes. Oh, you're welcome. I think I'll take the prettiest one in the closet And cut it to fit you like finch's feathers. Is your name Hester? How can you bear Reave's weight, Your body's the width of my arm?' The girl trembled And twisted herself sidewise. 'Aren't you angry at me?' 'Oh no,' Helen said; and anxiously: 'I don't know. I'm lost. Oh why should I be angry, nothing is worth . . . Nothing, I believe. Do you want to stay here? Don't you hate Reave? I do. Madly.' The other with a begging whine: 'I'd work. You are so kind.' And whispered, 'I might do all The old Spanish woman's work, you could let her go.' Then Helen suddenly, her lips withering From the white teeth: 'Olvidia, come here. This scrap Wants us to fire you: she wants to be with my husband: Take both our places, how's that for treachery? Because she's nothing earthly but a stack of hair and enormous Gray eyes, thinks I'll stand anything. . . . Wives hate your trade, don't you know that?' 'I ... didn't understand. I thought you Meant me to stay. I never felt safe before, but here I had my own room and was warm enough, And Mr. Thurso was never drunk.' 'Oh, that was something. Where did you come from?' She looked at Olvidia's dark expressionless face, and sidling a little nearer To Helen for shelter: 'Hymettus, Nebraska: I lived with my aunt Margaret, she was always punishing me Because my uncle wouldn't let me alone. She was big and thin. I ran away with a boy but he soon left me. I tried to get rides west, people would keep me awhile And turn me out. I think I was going to die When Mr. Thurso saw me beside the road.' 'And loaded you into the farm-truck, ah? Go on.' 'He gave me some bread and got some coffee At the next place. I've been happy here. Oh, What will become of me now?' 'I can't guess,' Helen said. 'My husband Can't change his mind: so you'll have to go, whatever you and I want. It jams in the slot; nothing Will budge it after that, not with a crowbar. What will he be at fifty, ah? How old are you, Hester?' 'Eighteen . . . nineteen.' 'I expect it's true: that stack of hair, Olvidia, took time to grow.' Olvidia Scowled and said darkly to Hester: 'You set the table. It's time for dinner.' The girl moved quickly to obey, but Helen: 'Stay here.' She stood then in white anxiety Between the two, and suddenly began to weep. Helen went near her and said, 'I want awfully To know you, Hester. There's deep strangeness in your Wanting to stay in this place. . . . Olvidia, I'm still your mistress: Make us two sandwiches: set the table yourself. Sandwiches: meat between bread.' She said to Hester: 'You're not false, I think. Helpless; perfectly; A person without any will: mine's only hiding. If I could just imagine what's good, or even What's bad, you'd see the machine move like a ship. You mustn't fear Reave, either. He has a great will, frittered away on trifles, Farm things, and you and me. And unable to strike a woman: So we needn't fear to take food in our hands And go and play on the shore. Yes, I command you. That makes it easy.' They walked under the alders that pave the gorge, and Helen: 'Does it taste mouldy, The meat of this house? But you must eat and not waste it or you'll be sorry, for freedom, Hester, that's coming, Is a hungry condition. . . . Where will you go to?' 'He says I must go to San Francisco.' Helen looked, and laughed To see tears in her eyes. 'You're crazy to cry about that. You wouldn't stay in this wretched crack Between two rocks? Come along, walk faster. Hester: that first time, When you ran away with a boy: did you want a boy, Or only you didn't dare go alone? Ah? I think that's What makes you cry. It keeps grinding in my mind That maybe I too ... just to break jail . . . It would be a dirty discovery.' The creek-bank path Straightened a moment, so that a great aisle of bright breathing ocean Stood clear ahead, and Helen: 'Hester: do you know what? I'm going with you. I'll cut my hair to the bone And borrow Johnny Luna's greasy black hat, We'll fly away. I'll work for you, beg if we have to, We'll try all the roads in America And never quarrel; no disgust and no bullying. . . . Dear, it won't do. You'd obey orders, we know: but look at these hips And breasts of mine: these bulges in a man's blue-jeans Would bulge the laws of nature, ah? My affections Go with my build, we're talking froth, dear, Only to poultice the inner bitterness: taste me and you'd call Quinine honey.' Suddenly emerging at the creek-mouth beach they breathed and stood still. The narrow crescent Of dark gravel, sundered away from the world by its walls of cliff, smoked in a burst of sun And murmured in the high tide through its polished pebbles. The surf broke dazzling on fins of rock far out, And foam flowed on the ankles of the precipice. Helen looked up, cliff over cliff, the great naked hill All of one rifted rock covering the northwest sky; and said: 'It's called Thurso's Landing. That's something, To have the standing sea-cliffs named after you. His father used to swing down the barrels of lime From the head of that to the hulls of ships. The old wrecks of rusting engines are still to be seen up there, And the great concrete block that anchors the cable. I hope you'll stay To see it come down. He said, in the morning. You'll ride the mail-stage, I think: Passes at noon. . . . Will you have the willow or the rock, Hester, To undress beside?' 'What . . . what is it?' 'For a swim. Didn't they have a swimming-pool in Nebraska? Here's ours.' 'I can't. Oh, Oh.' 'You can duck up and down In the long waves,' Helen said, laughing. 'Undress. What do you think we came down for, to see cormorants?' 'The cold will kill me.' She answered, 'You by this rock And I by that one. I've been ruled with dull iron, Now I'll rule you at least.' She went, and returned In a moment, clean of clothing, but her small companion Stood shivering in a worn cotton under-shift And quavered, 'I'll go down like this.' Helen suddenly Anxious and haggard, standing far off, with a screaming voice: 'I told you I want to see you: if I die of it. Nothing can be worse than what I imagine. Take off that rag.' She sobbing and obedient Dropped it to the ankles and stepped out and stood Furled like a sail to the mast, the straw-thin arms Crossed on her breast, the hands hugging the tiny Bones of her crooked shoulders in the golden under-spray Of coiled-up hair. Helen stared and sighed, 'Nothing But a white bony doll'; and turning to the sea: 'We're all monstrous Under the skins, but nothing is real I think Even if you can’t see it. Come on, poor thing, let's be launched; the foam-ripple's Like running cream and the clouds gather.' She went down and Hester followed helplessly a few sad steps, But when the steel chill of the wave ached in her feet stood still, whining between hammering teeth, then Helen Caught her by the hand and dragged her thigh-deep, still keeping her face averse from her victim, like one compelled To handle a loathsome thing she made her dance in the waves. 'Don't you love it, Hester, isn't this cold More noble than the heat of a sleeping man? Here comes a foamhead. I hate the man, yet I can hardly Keep back my hands from holding you down and drowning you; why's that, why's that?' while Hester childlike lamenting Danced up and down as the seas deepened. Helen said, 'He killed my friend In the bitter desert, a beautiful youth Yellow-haired like you, like you a wanderer. He flung a hammer,' She said, seeing in her mind the running lizard That Reave had killed, 'My dear friend fell, and that man Who seems so quiet and controlled wallowed like a boar Gnashing and trampling. There was no help anywhere In all the abominable flat lifeless plain. When Reave stood up A crooked red stump that had no eyes was dying in the sand, instead of the blond beautiful body I had often hugged in my arms. I heard it die. We travelled on, blinded with thirst and sun, And left it blackening; there are no tears in the desert, Water's too precious there.' A greater wave came, gathering The mottled lit blue water in a bladed heap, then Helen braced well apart Her straight white legs, and lifted her little nearly fainting companion over the comb of the wave, So that the face was clear and the yellow hair felt but the spray. In the trough behind the white wave Helen shook her dark head, the water sluiced from her shoulders And rose-tipped breasts. 'Fear nothing, Hester, I'm strong enough. That deadly secret I told you: if you should dare To tell it again, think what might happen: a hanging. I might be freed. . . . Look up: there he comes now: can't live without us.' She jeered, 'Look at him, Stolid on the wild colt.' They were looking shoreward and a wave covered them, Then Helen drew her companion from the roaring foam and carried her ashore. Thurso's half-broken mount Danced on the sea's edge in beaten terror, the thin black whip streaked the brown flanks; and Helen Thurso Like a myth of dawn born in the west for once, glowing rose through white all her smooth streaming body Came through the foam, and dragged beside her for a morning star fainting and dull in the rose of dawn That wisp of silver flesh and the water-darkened burden of hair; She stood panting, unable to speak, and Thurso Felt through his underconsciousness something morbid and menacing In blue-shadowed silver foiled upon glowing rose, against the livid Foam, the tongues of cobalt water, and the shark-fin gray Rocks of the inlet, for now the sun was clouded, All colors found their significance; then Helen wrestling for breath: 'Ah, Reave. Here, Reave. I knew you'd come, I left word with Olvidia. Here's your wet honey: without my dress to pad her life-size Compare us two.' His face wried and dark red, He twitched the whip in his hand, choking with anger, and Helen: 'That's for your colt: not me you daren't. You haven't the courage, simply you haven't the courage. This peeled thing' She held Hester by the wrist not to escape 'this peeled and breastless willow-twig here feared you Until I told her . . . Strike, strike. Let her see you.' He shuddered and blackened, laboring for words, and groaned, 'Go home. Get on your clothes.' 'Now I’ve learned something,' she answered, 'that even a thin slip like this is a better lover Than any . . . strike me, not her!' She let Hester go, who vanished instantly, and Helen raised both round arms To unguard her smooth flanks and said writhing, 'That whip of yours Might do what no love nor strength . . . you've never let yourself go, You've never ... I always bitterly feared you: Give me cause. I could bear much. I'd not move nor scream While you wrote the red stripes: But there's no nature in you, nothing but . . . noble . . . Nothing but . . . one of those predestined stone men For women to respect and cheat . . .' She was suddenly weeping And shivering; she leaned her face toward his knee And the horse danced sidewise, with a dull clashing sound Of unshod hooves in the pebbles, curving its body Away from her and against the whip; she stood back, Saying, 'He thinks I'm a monster out of the sea. I'm not like . . . what you think. I'd have kissed your stirrup: But that's not sense either.' She limped like an old woman Across the gravel toward her clothing, bent over, Stroking the sea-water off. XIII It is certain that too violent Self-control is unlucky, it attracts hard events As height does lightning; so Thurso rode up the canyon with a little death in himself, Seeing in his mind Helen's naked body like a red bird-cage Welted with whip-stripes; and having refused the precious relief of brutality, and being by chance or trick Cheated of revenge on her desert lover, he endured small deaths in his mind, atrophied spots, like mouse-holes For the casual malice of things to creep in uncountered: so shortened by refusal of a fair act, Thurso Rode up from the shore in the frown of fortune. The cress-paved pools of the stream, the fortifying beauty on the north Of the rock rampart, and toward the south of the forested slope, and the brave clouds with flashing bellies Crossing the gorge like a fleet of salmon, were as nothing to him. Once he jerked back the colt's Bit-spread jaws to its breast and half turned back To the shore again, but sat bewildered a moment And snapped his teeth together and rode on, imagining Some work to do. He tied the colt by the house-door And went through the house to a closet where hunting-gear, Guns, traps and vermin-poisons were kept, he fetched some pounds of bitter barley in the butt of a sack To abate the pest of ground-squirrels. Returning through the still rooms He met his mother and said, 'I've been to the beach, where they were bathing. I'm going to the upper field With squirrel-poison.' She said, 'In October?' 'Nobody else Seems to have kept them down, in my absences. Without some killing they'll breed armies in spring.' 'Mark isn't able to kill, Luna's too lazy: I ought to have driven him: I didn't think of it, Reave, Not being often in the fields.' He sighed and said, 'I wish it would rain. Mother, you have been right To dislike that woman. I guess you're right.' She turned Her reddish flint eyes from his face to the window, Thinking 'What now has she done?' and saying, 'Nobody Can praise your choices. Soft pliable men have the luck in love. Maybe you can get rid of her without much trouble.' He answered fiercely, 'Why did you let Luna Bridle the brown colt while I was away? He broke it with a whip: it was gente-natured. Don't speak, mother, of Helen. I never will let her go until she is dead.' The old woman, sharply eyeing him again: 'If you could stand her Under the iron skip when you cut the cable To-morrow morning.' He looked down at the flat White hair on the gray forehead and laughed doubtfully Without knowing why. 'Our ship sails when I cut the cable. He ought to be whipped himself: Johnny a horse-breaker! The colt is spoilt. ... I must ask you, mother, Not to interfere between mine and me. Whatever you say about the stock or the fields I'll see to very patiently: my wife is my own concern, You must not meddle.' 'I have no desire to: as you know clearly, Reave, In your mind's quiet time.' 'What does that mean, that I seem excited: drunk, hm? Wrong, mother, quite wrong. I've noticed in other autumns, when the earth bakes brittle and the rains lag, I become gloomy and quarrelsome, But not this year. Cheerful. Squirrel-poison's What I came in for, To sow it in the fields above: they increased out of all bounds in my absences.' He left the house And rode up the hill to the gray stubble-field, where many ground-squirrels scampered away before him, or erected Like pegs on mounds of dug earth before their house-doors barked shrill warning to each other in the sunny air, While Thurso, leading his horse about the borders of the field, laid at the mouth of each burrow and carefully In the little trackways light treacherous gifts; he mounted and rode to the lower plowland. From thence returning Above the path of dazzle on the burnished sea, he heard one of his vermin singing its terror In the first pain of death; its chirping voice was muffled in the earth; and Thurso likewise went down Out of the tension of the sun to the shadowed canyon. Where the path from the hill Joined one that wound into the redwoods, he saw his brother Cross hastily and glance toward him, and labor down Like a hobbled horse, the plunge and drag of lame haste. Reave overtook him. Mark said, 'Look. Now he stands. I was talking to him until he drifted away As if a wind had come up. Reave, I beg you Ride some way around, or he'll glide off again And never tell me the rest.' Reave leaned in the saddle And took his brother by the shoulder: 'Come up from dreams, old fellow. This won't do, you'll be sick again. These fancies Are nothing if you don't yield.' 'Keep your hand off me.' He said angrily. 'If you can't see him clear Against the dark leaves of laurel: blindness is all. He's wearing a different coat, and his tie-pin's A small jade mask I never noticed before. Ss: quiet; he's coming towards us. ... You told me, father . . . Ah, Ah.' The deranged man's trembling excitement Infected the ill-tamed colt, it sweated and shuddered Between Reave's knees, with hard breathings Cupping its ears toward the image that Mark imagined, But the bit and the knees held it. Mark, mournfully: 'Then death's No nearer peace. No dreamlessness. That's bad.' He listened again, And shrewdly answered, 'Harmonized: happier, happier? I do wish to have faith: but your voice, father, Sounds flat of happiness, and all the woes of the world Seem hosting behind your smile. For God's sake tell me The honest truth.' He listened, and said painfully, 'Make me sure of it. For if the blind tugging here And self-contempt continue, and death's no peace, It would be better to live forever . . . but best, best, Never've been born.' He listened again and said, 'I'll try ...' Then turning to Reave; who sat like bronze, Half his mind grieving to hear his brother's madness, and half Busied with its own bitterness: 'He says to warn you, Let his work stand. He says honor your father That your days may ... I have it wrong. Shortened? Shortened? Because death's better, I suppose. . . . Not to pull down his work.' Reave laughed impatiently, Saying, 'Tell that imagination I honor as much As I can see of him: that's nothing. A perfect ground-squirrel, Pop out of life for the first dog that barked Into the shady earth. Come down to the house And rest, brother. We owe him no duties If he were really in the wind here.' He laid his hand again on Mark's shoulder, Whose loaded nerves suddenly discharging at the touch of restraint struck his clenched bony fist To the neck of the colt; that flew a leap sidewise and three forward in the crackling brushwood, then breathed itself With vertical flights and humped bone-rigid landings. Reave hurt it with whip and bridle, he squeezed it tame Between his two knees and angrily returned. Mark meanwhile, following his vision, With no mind for this world, questioned it hard About that other, he ate its fallacious answers Together with his own doubts, like a starved man gulping The meal with the weevils. 'Life's all a dream,' it said, 'And death is a better more vivid immortal dream But love is real; both are made out of love, That's never perfect in life, and the voids in it Are the pains of life; but when our ungainly loads Of blood and bone are thrown down, then the voids close, Love becomes perfect, all's favor and immediate joy, For then we are what we love.' So the false prophet Sang sweetly, Mark was drunken with the easy ecstasy, But while he listened his eyes kept wavering down From the face to the throat of his vision, to that tie-pin Tipped with white jade: that also had a face, carved In the bright waxy stone, and was grown bigger, The face was Helen's. The spectre sang that love Must become conscious of itself and claim its own, Mark's gaze drifting again to the stone at its throat Found a cleft whiteness, for the carving reversed Was now the beautiful fork of female thighs, And the little hill: because the seer was virgin, Knowing only pictures of women, he saw smooth white What's rough in nature; but very smooth was too rough For that intolerant sick mind. He fled back in terror, Crying shrilly, 'I can't. I can't. Oh, Reave, the cunning devil Was making traps to take me, and I have conceived A monstrous thing, poisoning the soul with flesh. Either our dead hate us or the living devil Was here instead.' Reave followed him and coaxed him home, Where Helen stood in the room. They nodded to her Like two effigies. In the night Reave dreamed that Helen Lay with him in the deep grave, he awoke loathing her, But when the weak moment between sleep and waking Was past, his need of her and his judgment of her Knew their suspended duel; and he heard her breathing, Irregularly, gently in the dark. XIV To save the redwoods under it, a rope was drawn From the old cable, near the end to be cut, To an oak a little higher than the cable-anchorage And fifty yards to the west; so in their falling The heavy steel serpent and the hanging iron skip Should be deflected enough to miss those highest And best-grown trees; the cable would be swung west Before the inch rope should take the whole weight and snap, Or, holding, be cut at leisure. Reave had brought up a hack-saw, But the blades broke on the strained steel; he wedged a wood block In the rusty angle between the black cable and the brown concrete, and worked against it with a slim file Until four strands were gored through and his palm bleeding; he pried the wires back and put Luna to work, Himself walking aside, testing the guide-rope's tautness, and somewhat wondering What engines his father used to sling so great weight so high: a man capable of that, blow out In the first draught of bad luck like a poor candle! In the open, in the fresh morning, high up the precipitous hill, his spirit mounted to a kind of cheerfulness; He had work to do; and now the sea-wind began, the wool-white fog on the ocean detached clouds Flying up the gorge of the gulf underfoot, so Thurso felt for a moment a little laughably godlike, Above the cloud-stream, hewing an old failure from the face of nature. Down in the gorge, from the house dooryard The cable and the skip could be seen high up the east, the rapid mist-wreaths flowing in the sky below them Like ice-cakes under a spidery bridge. Mark and his mother stood on the path to the porch, she'd brought him Out of his bedroom to watch the cable go down, hoping it might cure sick thoughts. Hester and Olvidia Stood, each alone, at some distance; but Helen came down from among the trees. Then Mark remembering His lawless vision trembled at her approach. She came and said, 'Reave left the gate open, And the horses were coming out when I happened past. I never knew him to be forgetful before. What was he thinking of?' They looked at her, Mark with eyes That mutely implored pardon and fled away, His mother made a carefully disinterested Stare, and no answer. Helen stood wilfully near them, And said, 'How long has it hung?' After a moment Mark answered hoarsely. And Helen: 'Not more? Eighteen? I thought it had always hung on these hills. I've seen it myself Through an earthquake and some big winds, and that brush-fire Three years ago. When Reave tackles it, Down it shall come. Not the mountain-backed earth bucking like a bad horse, nor fire's Red fox-tail on the hills at midnight, nor the mad southeasters: nothing can do it But Reave Thurso, ah? That's the man we're measured against.' The old woman considered her once more, smiled, and to Mark: 'An inch to the mile. Dear, are you tired standing? Surely it will not be long now.' Mark whispered to her, 'Do you think he cares?' 'Who?' 'Father: his old work Falling from the air at last.' 'We'll credit the dead With a little more intelligence than to be troubled About old iron.' Helen overheard her, And out of the uneasy malice of unhappiness: 'Why credit them? Very likely their minds like their spoiled bodies Decay and go down the scale, through childish mutterings To poisonous imbecility, and things that seem Worthless to us might be to them like playthings Precious to children, worth spite, all they've got left . . .' 'You-' The old woman felt Mark's anguish, and pushing by him Stood against Helen 'weren't asked. When we're dull and want laughter We'll ask you to tell us your thoughts.' Helen retreated With looks of startled innocence, 'Oh, how have I made you angry? I was praising your son, the other one, A man who masters earthquake, storm and bad horses, and has no fear of the dead, and can drive a truck With his wife in it; never reached out his hand for anything yet but down it came. Look up: he's there By the oak-tree, your strong man of this hollow, his feet on a cloud. He'd never falter if a thousand ghosts Were camped against him: but look at the size of the man: one of those tiny Black ants that come to dead things could carry him With the oak too. Mark, you hate cruelty and killers: do you know that he spent yesterday Poisoning squirrels? Olvidia told me. Poor little dusty monkeys whipped for my sins, Dying in agony.' Mark answered hollow and slow, 'It has to be done, I suppose. Once he told me, No poison no farms. He said that strychnin's What civilized California: there'd still be grizzlies And timber-wolves.' 'So all your sweet starts of mercy Tune down to that meek end. Well, Mark: some time San Francisco and New York and Chicago will fall On the heads of their ghosts, so will that cable.' A small bright falcon, Invisible from the floor of the gorge, but Reave saw it Above the cloud-stream, shot down the shiny sky And lighted on the long cable above the skip, Folded its wings, and veered its vizarded face With sharp looks north and south. Reave thought, 'All the birds Count on this ironware for as fixed as mountains, It was here before they were hatched in the high nests, Now I'll surprise him.' He said, 'Hand me the axe,' For all the weight was hanging on a few cords Of twisted wire. He lifted the dinted axe, An old one for rough work. 'Stand clear, Johnny,' but the wires Were not chewed deep enough yet; the edge nicked and bent them Into the block, the whole cable like a hive of bees Hummed over the gulf in the hanging air, and the hawk flew, But the wires held. Reave looked at the bright crescent Chipped in the brown axe-edge. 'The old man's tough; But wait a minute.' An instant thought of Helen Ran like a string of ants over his mind, No danger of Helen standing under the skip As his mother wished in her spite, but Mark's mind Was not secure, better look down. The trees in the canyon Hid the dooryard from here, and Reave went seaward Some twenty paces along the steep of the hill Through pale oak-leaves and russet ferns to see Mark standing By his mother, Helen beside them, foreshortened specks On the foot-worn patch of earth from the dark redwoods And the globular golden puff of the sycamore To the painted roofs of the house. Light mist flew over them, Helen lifted the pin-point white of her face, She looked like an incredibly small flower-stock Suddenly flowering. Johnny Luna Stood by the cable with a file, and looking down Saw the wires move like a scarred twist of worms In the wood they were dented into, the all but invisible Kinks printed in them by the steel edge straightening, A nicked strand broke, then all parted at once Very smoothly and instantly. He saw the scything rope That ran from the cable to the oak-tree go west And strike Reave standing, he was bent at the loins backward And flung on the face of the hill. Helen also saw, But the others watched the great cable and the skip fall, Obliquely in the draw of the rope, and the high oak-tree Rush down the hill, the arched balks and crooked thighs Of root in the scant soil on the near rock Channeled with dry-rot, proving less masterful Than one inch twist of hemp: so avalanchelike The whole tree went down to the gorge, from its great yellow furrow on the face of the hill A long track of dust blew east, above and below The racing clouds. Thus the long trough and the covering sky Of Mill Creek Canyon were cleared of that old cobweb, The black moon over the gorge was down, and the mountain lips Wiped clean. Helen Thurso ran up Under the trees, through the oak-thicket, up the glacis Of gray dead grass to the wreck of the oak-tree, And up by the long furrow of the slide to Reave's Body on its edge, dragged down and flung aside, Like a red root cut by the plow and pitched Forth of the furrow. He was not dead but crawling, His belly and legs flat to the ground, his head Lifted, like that lizard in the desert, and Helen saw the red ropes of muscle Labor in his great shoulder, the shirt and the skin flayed off them. Luna came down from above, then Helen's Face frightened him more than his master's body, it was white as lightning, eyed and mouthed with darkness, and the strained breath Whined from the pit of her lungs like a bat's cries. She stood Wavering, Reave crawled at her feet, the gorge glimmered below. 'God evens things. My lover in the desert,' She gasped, 'crawled in the sand like that after Reave struck him. A bushel for a bushel says God exactly. What can we do?' Luna stood mute and helpless, the color of his Indian skin like pale blue slate. Reave crawled down hill between them; they watched the corded strips of flesh in his shoulder reddening and paling, And when he began to speak they were terrified. 'Must 'a' been holes in my mind. Everything wrong. Won't die.' Helen cried shrilly, 'How can we get you down, where can I touch you?' 'Hell,' he said, 'you'll wash.' 'For your pain!' She cried shrilly. He raised up his gray face, fantastically grown smaller, hewn thin and focussed On resistance, like a flint chip: 'Can't worsen it, fool. I don't die. Drag.' They dragged him a little way Down the hill and his mother came; in a flash Helen understood whose face it was That Reave's in pain resembled identically, and felt toward his old mother Her heart move in a jet of loving compassion Wild and lost like peering down a precipice, She cried 'O mother!' The old woman went to Reave's head And carried it against her breast. Helen and Luna Carried his body, so they went tottering down; His legs dragged in the feather-gray sage until Olvidia And Hester came. On the steep of the slope came Mark Hitching up on hands and knees for his lameness. Helen thought, 'Both her sons crawling!' and cried shrilly, 'Get out of the way, will you. He's met somebody Stronger than himself. Now I forgive him, now I forgive him. I'd die for him.' The old woman glanced at her With astonished hatred across Reave's head. 'You forgive him!' XV Winter had begun and Reave was brought home from the hospital In Monterey. Luna drove and Helen crouched Beside Reave's mattress in the open body of the farm-truck. She thought they all came by turns to ride in it: pigs and calves to the butcher, Hester Clark from Nevada, Herself from her lover and the desert mine, and again Reave Thurso. All compelled; all unhappy; all helpless. Clouds with dragging keels came in from the ocean, over Mai Paso bridge a thin rain began, Helen drew up the oil-skin over the blanket and said, 'I know that you suffer pain day and night, And now the jolting of the road is torture.' He was silent a time; his face looked like his mother's. 'What of it?' He said suddenly. 'Not to hide it from me, hidden pain's worse. If you trusted me . . .' 'Do you think rat-gnawings Mean much to a man who never any more ... all the endless rest of his life lie flat like a cut tree . . . Something to think about, ah? Have food brought and be wiped, grow fat between a tray and a bed-pan, While every shiftless and wavering fool in the world Has walking legs. Never waste pity: the cramps and the stabbing are my best diversion: if they ever ended I'd have to lie and burn my fingers with matches. Well: day by day.' She watched the small raindrops Beading his rough eyebrows and hair, and said 'I'd willingly die for you; I have not one grain of comfort To answer with.' At Sovranes Creek he began to peer about and look up the mountain, but dimly To be seen through leaning pillars of rain. 'You throw off the oilcloth. What are you looking at, dear?' 'Pasture. Pasture for cows.' Helen saw mist-green veils tapering up the iron folds to the mountain-head, The noble slopes and the crowning pyramid, and suddenly began to weep aloud. He said, 'I can't help it. You promised lightly to take the worse with the better. This is the worse. I never will let you go until you are dead. When you played the chippy I went and fetched you back; You'll never try it again.' His focussed will Forgot to control the outthrows of bodily pain, He ended groaning, with convulsed lips. Helen answered, 'I wasn't crying. I wasn't crying for myself. I will not be At last contemptible.' And lifting her white throat Against the blue hills and rain: 'Nothing can break you, It was only bones and nerves broke, nothing can change you. Now I've begun to know good from bad I can be straight too.' 'Hell,' he said, 'changed enough. Dead legs and a back strapped in plaster. You'll never Be as straight as this.' Helen shivered in the rain and said, 'What kind of a doctor was that, who leaves you suffering.' 'An honest old man. He told me plainly that the nerves of pain Might live, and the nerves of motion were lost. He told me, When I asked him, that I shall never ride, walk, nor even Be able to stand.' She answered suddenly, 'I'll never leave you In life or death.' He smiled and his lips whitened with pain. He said, 'How's Mark?' 'Stark mad: all his gentleness Gone into vengeful broodings. He thinks a dead man tore up an oak on the mountain . . .' Reave frowned and said, 'Exactly. With my imbecility to spring the trap. Our fathers build and cowardly slip out and we Catch the fall. Not so crazy as you think. Do you think there's anything beyond death, Helen? ' 'Yes,' she answered, 'Worms.' 'And sleep, without pain or waking. Don't worry, I'll never ease myself out by hand. The old dog Stinks in that alley.' Luna drove fast; Helen leaned on her hands for balance in the swirling turn Around the cape of the road over Garapatas and said, 'How did he kill himself? I never knew.' Reave sharply between tight lips of suffering: 'Leave that.' She answered, 'He acted cowardly and you despise him, But perfect courage might call death like a servant at the proper time, not shamefully but proudly.' His mind At civil war in the darkness forgot to control the animal tokens of pain, he groaned and answered: 'Means your freedom, ah?' 'You are right,' Helen said, 'to expect vileness in me: I will show you before the end That I am changed.' 'I didn't mean that. Blind bitterness. But I mean to stick it out, you know, and there's tempting Too sweet to be patient with. I say damn quitters.' The little farm-truck, with its dull-smoldering sparks of sad life, Ran swiftly on south the wavering and twisted road on the steep foot of the mountain sea-wall. No life Ought to be thought important in the weave of the world, whatever it may show of courage or endured pain; It owns no other manner of shining, in the broad gray eye of the ocean, at the foot of the beauty of the mountains And skies, but to bear pain; for pleasure is too little, our inhuman God is too great, thought is too lost. It drove above the long crescent beach toward Palo Colorado, That is lined with lonely splendor of standing wind-carven rocks, like a chariot-racetrack adorned with images, Watched by the waving crowds and clamor of the sea, but there are no chariots. Thurso's Landing Stood heavy-shouldered in the south beyond. XVI After some days and nights Reave called for Luna. Helen fetched him, Reave instructed him to choose two fence-rails And whittle handles on the ends, and nail cross-pieces To make a stretcher. An old tarpaulin was cut For canvas, which Helen sewed over and bound with fishline Between the two rails. Reave had thought carefully, There was no reason for being jailed in the house, There were things he was bound to bear, that was not one of them. Helen and Olvidia each holding a handle, And Luna at the other end, carried him forth Heavily, of fantastic shape and weight With the plaster girdle about his loins: like a stone man, Petrified man, was echoing in Helen's mind While she labored with the weight, 'Does everything I dream come true?' They laid him on a low bank near the corral, Where he could turn his head and at times See horses in the muddy enclosure. Or see tall redwoods, And if he wished, the long narrow canyon sky, Reminding him what its clearance had cost. One day that Helen Was bringing his lunch from the house, she saw Mark Waiting in her path; she went about him to avoid him, Feeling unable at length to hear his troublesome Mysteries with patience, and approached Reave An unusual way, unseen and silently, on the new grass Around a thicket. She saw the whitened knuckles Of his heavy-boned hands over his breast, One clutching the other, and then the fists beaten together Like stones, and heard a high helpless moaning. She stole back And broke through the branches into her accustomed path, To go to him lying quiet and watching stolidly While she came near. She trembled and set the tray on the ground, And said, 'May I shift the pillows under you?' He answered, rolling his head, 'I can shift them. Look here.' The bluish bruised look of his face darkened, that the gray eyes Looked white in it, his thick neck swelled; he was raising himself upward with prodigious pain and effort by the thrust Of his elbows backward against the earth, saying harshly, 'I am not helpless.' He clutched his hands in the soil And slowly with immobile face and no groan lay down. She felt in her breast like the rush of a big bird Flying from a covert and the threshing wings: 'If I'd never been here,' she said, 'nothing would have been the same.' She knew that she ought to be silent, she could not cease, crying uncontrollably, 'You'd not be hurt, you'd be riding on the hill. I wish I had died in misery before you saw me, I wish you had seen me first lying five days dead in the jagged mountain, blackening on a white rock In a dry place, the vultures had dipped their white beaks in my eyes, their red heads in my side, You'd make them raise the great wings and soar, you'd see my bowels drawn out of my body and the rock stained under me And the soil of death, I was lying black-mouthed in the filth of death. You'd not have wanted me then, and nothing Would be as it is, but you'd be lucky and I quiet.' He looked in her eyes and smiled, with that bruised look, Not hearing, bent inward on his own pain; but after a time he seemed to remember that she spoke of death And said angrily: 'Have you death for sale, you talk like a salesman. Every fool knows it's pleasant to rot in peace After long pain but that's not the question. I saw a nigger boxer in Monterey one night, Cut all to pieces, Sail on up the wind of fists, beaten and blinded, Vomiting blood: he needed only let down His knees onto the canvas and be at peace, He wouldn't do it. I say I cared for that man; He was better than a better fighter.' XVII Reave's doctor came to break the cast from his body; Helen helped, and washed the ill-smelling Long-enclosed flesh. Afterwards while Reave rested she spoke with his mother in another room. 'You saw him. The giant shoulders and the pitiful part below. I know that he has hoped secretly to live again . . . Ride a horse . . . he'll never sit up in bed. What can we do?' She answered with a like contorted face, But not twitching like Helen's: 'There were two oaks broken that morning. What can you do? Run away. Follow that Hester. You and she are out of employment When a man's withered from the waist down.' She answered, 'Yet I was thinking there's . . . another kindness That I could do for him. Another that his mother can't.' 'What?' she said fiercely. 'Nothing, nothing, nothing,' Helen faintly answered. 'However, I'll never leave him. I promised him never to leave him and I've grown faithful At last.' She felt the old woman's eyes like flints press on her own, she shuddered and said, 'I know You hate me: let our spites lie, we're both unhappy. Tell me something, if you know, what's all this troublesome Affair of living, and people being troubled and the sun rising and setting: what's it all about, what's it for? I've seen you go on bitterly year after year, living, planning, working: do you know something That's hidden from the weak like me? Or it's only Gloomy stubbornness like Reave's blind ... or else perhaps we live for no other reason than because our parents Enjoyed their pleasure and we dread to die? I dread it,' she said with her hands at her throat, 'so ... I can't bear it, But Reave's too proud. I mean, if the pain ceases, if his pain ceases at last . . . then I can't imagine. But if the pain keeps up I must do it.' 'What can you do But run away off? You're not the make. I wish He could see your slobbered face, Helen, he'd hardly Have hunted into Arizona to fetch it home, Do what then?' Her mouth shuddered and tautened, she answered, 'I cannot tell.' 'I believe you,' she answered scornfully. Helen stood moving her sad lips in silence Like one casting a sum of numbers, and said, 'I must have read it somewhere: a hundred and twenty-three Millions in this one country of the world, besides the animals. Far more in Asia. How can it be sacred Being so common? I've never hated you back for hating me; I’ve called you Mother; now if you'd help me To know what's right I'd be grateful.' The old woman with eyes like a hawk's watching A bush of sparrows: 'Tell me then.' 'For now it seems to me that all the billion and a half of our lives on earth, And the more that died long ago, and the things that happened and will happen again, and all the beacons of time Up to this time look very senseless, a roadless forest full of cries and ignorance. But is life precious At the worst you know? I used to wish for round jewels and a fur cloak: I could love opals, Born in October: and a set of gay laughing friends to fool with, and one of those long low stream-lined cars That glide quietly and shine like satin: so I can't say, whether life maybe might 'a' been precious At the best. And death's awful. . . . We're too closed-in here.' 'If you think of killing yourself': she laughed, Lifting her shoulders. Helen looked down and said, 'How did . . . Reave's dad do it?' 'In the forehead, poor fool, And was long dying.' 'In the heart would have been better?' 'You must find out for yourself.' 'I wasn't thinking of myself; I'm faithful now.' 'To the death? Ah? A new color for you, worn strangely.' She went through the house To her son's room. Helen followed, saying, 'Go quietly, And listen.' They tip-toed down to hear a thin moaning Increase and break off; then hands beat on the bed In the room behind the shut door; a silence followed, And again the moaning. The old woman rolled her gray head And whispered, 'Til not awake him.' But Helen: 'If that is sleep, Then life's a dream.' She touched the door-handle And the room was full of silence; they entered, Reave lay Stolid and strong, meeting them with calm eyes Blood-shot around the gray-blue. Helen said faintly, 'May I turn you now?' He said 'What meanness in you Is always making me out worse than I am? Helpless enough, But not to that point.' The old woman went to the window and looked down the canyon; then turning: 'Helen talks strangely. She says that she's now faithful. What does that mean, do you think?' Reave answered, 'I know she is, and I pay it With cross impatiences: I'm sorry, Helen.' 'Oh, but you'd never guess,' the mother said furiously, 'How far that reaches, this kind of faithfulness. She's likely had word From the yellow-haired man, because . . .' Helen said sharply, 'That man is dead.' Reave strained up his head, groaning, 'Who told you? Everything slips away. I was hopeful still To touch him with my hands. He might have come near me Sometime to mock my ruin. . . .' The old woman said, 'How could she hear? She's lying, I watched her mouth.' 'Reave killed him,' Helen said patiently; 'only by waiting for him and he didn't come, beat him to corrupt earth, Dust and a wind. Oh Reave, be at peace For anything you owed there.' 'She was lying again,' The mother said, 'but a moment ago in the other room Her truth came out. This white, violet-eyed thing Would if she dared murder you: Oh, from high motives, All mercy and good will like a lamp in a window, but mostly wondering Whether a dutiful wife will shoot her man In the head or the heart.' Helen had cried out to speak, But checked herself and watched Reave; he answered heavily, His light eyes withstanding his mother's dark ones: 'We've talked it over, But I have forbidden her.' Then Helen cried, 'Don't send me away. I believe you will never need me: but God's not moderate enough to trust, and when he turns bad, no one Can bear him to the end.' He answered, 'That's cowardly said; there's nothing a man can't bear. Push my bed To the window and let me look out westward.' They moved his bed; in the mouth of the gorge the evening sea-cloud Hung heavy black, Jeoparded all over with sanguine fire-spots; he muttered wearily, 'We're too closed-in here. I lie like a felled log in a gully and women wrangle above me. I have no power and no use And no comfort left and I cannot sleep. I have my own law That I will keep, and not die despising myself.' The stormy twilight closed over and filled the canyon And drowned the house, and the ocean made a great noise in the dark, crying up the canyon; with between the cries Noises like trespassers breaking fences, or the cattle running. Helen slept in a room by herself, For Thurso wanted no witness to hear his nights of endured pain, and had sent her from the low couch Beside his bed, to use the little room that Hester Clark had been glad of. She fell asleep for a moment and lay an hour Terribly awake, and went down the stair, having a candle In both her hands, the right hooding the flame That etched red lines between the dark fingers, The left holding the shaft, and the white grease Dripped hot films on it. She went barefoot and silently With the one piece of linen about her, hearing The stairs groan like a man, and stole through the house To a distant closet where vermin-traps and squirrel-poison, Hunting-gear and a smell of leather were kept. She sought her own rifle In that close place, meaning to hide it in her bed Between the springs and the mattress, knowing that no one Commands life without the tools of death Readily hid in the background. She loaded in New cartridges with glittering brass jackets, for oil Or time might have damped the old; and turned to the door. Mark stood in the door. But Helen thought that the strain in her mind had bred a phantom, And waited for it to fade. He said, 'A thready light Pricked into my room through the cracked panel. I think my mind has been roiled, when I lie wakeful Blades of strange light. Are you going hunting? Dear Helen let the deer feed. Life's bad for people, But the clean deer, that leap on the high hills And feed by the hollow streams, there's not one of them Lame nor a fool.' She answered in her mind, 'Nothing Is very serious,' and said, 'Ah, there's one hurt one, Would thank me kindly, if it had a man's brain, For death, that great fallen stag.' 'Where is it? I'll feed it With tender grass.' 'It fell on the mountain and its broken bones Have caught the nerves in their hard lumps of healing, So that it's in pain forever: I hate . . . love him too. Love him, I said.' 'If you kill any living Creature, the happiness of your heart is troubled In quiet times afterwards.' 'What's that to me? I shall have no quiet time after this hunting; But brief and violent. Let me go now.' He answered, 'I know what love is, I saw it in the devil's tie-pin. How dared you come down undressed?' She saw him shaking In the candle-light, and thought with a thread ravelled From her mind's gathering fire-mist, 'You poor good fool, Is it there with you?' He said, 'Horrible dreams of love Like splintered glass in my bed cut me all night, like a splintered mirror. Reave betrayed you with that pale bright doll.' He came from the doorway toward her, then Helen laughed and dipped Her hand in a half sack of barley on the shelf, and felt the kernels light and luxuriously Lie in her fingers, and said through white lips: 'Is this the poison-soaked grain? that makes the squirrels cry In the quiet of their little caves, that bitter death?' 'Let it alone. Oh, this place crawls with death, Traps, guns, knives, poisons: but no one sleeps near, no one can bear us. There's a bright wanting beast in me: Hunt that, Helen. Kill that. I thought love Was kindness, it's a blind burning beast. Oh, wait: because I heard voices and answered them, saw spirits and feared them, You and the rest were whispering that I was crazy. Why, that was nothing. But now, when I burn to tear That last white rag from you, and do-how can I say it? striking the obscene parts of our flesh together This is the real thing, this is the madness.' She laughed and ran her fingers through the deadly barley and answered: 'Yours is a common trouble, we'd manage you a kind cure If I were liberal; but you'd loathe me for it, and my winter's come. I wish to leave my poor spotted memory A little lonely and distinct at this bitter end. Is it nearly morning?' 'Do you think . . .' he answered, and suddenly The pallor of his face gleamed with a film of sweat, he said 'I've fooled myself out of life for fancy Feelings and second-hand noble dreams. Kill all the deer on the mountain, what's that to me? I've seen them Go to it like dogs in the bushes outside the cantonment: wise soldiers: did you think you could come naked And not be mauled?' She said furiously, 'You fool,' and heard him hiss when he touched her breast and cry: 'The lids of your eyes are swollen, your eyes are knives. This is it. Yes.' His teeth clattered together so that she thought of a crooked stone the returning Wave sucks, and the stone rolls over and over, clashing on the pebbles. He wiped his forehead with his hand and shook The fingers as if blood hung on them, saying, 'That Hester's gone. I might have had a second-hand . . . Noble thought very likely. Tell the audience for all those cat-calls there's not one of them But's more or less in my manner Done out of his dear life by scrupulous cowardices. Men ought to ravage: then down comes the black curtain, We died like old empty priests.' But Helen seeing him All shrunken again, 'Believe me,' she said in pity, 'These rosy toys you’ve missed make a bad bargain At the time of the end. I could be very envious Of virgins and a quiet life.' 'The two you’ve had Are nothing,' he answered, 'take two hundred. But only Beware not to make a baby, we know what life is: That mercy's weakness, and honesty The simple fear of detection; and beauty, paint; And love, a furious longing to join the sewers of two bodies. That's how God made us and the next wars Will swallow up all. . . . Helen, I'm very tired With cloudy thoughts, and have been fearful at times Of falling into some unclearness of mind. That would be bad: lunacy's worse than death. If I should consider taking a certain remedy While I'm still sane, to scour the rancid bowl Back to its first brightness, who could be blamed? You've always been kind beyond words.' He went, and Helen At once forgot him, all her energy reverting To its old preoccupation like a freed spring, She took the rifle to hide it below her mattress And barefoot stilly went up through the house. She passed Reave's door. And returned again to listen whether he moaned Or slept. No sound appeared, but wind or the ocean Whispering high over the house. In that silence Her intention flowered; she became calm, convinced That time had come to cut all the knots at once And lead the agonies of strain to a sharp end. Mark's outcry, though she forgot him, had tired her, The resistances of a drained spirit faint Before the power does, she had lost the strength not to act And stealthily unlatched the door. It seemed clear, plain And reasonable, to seal that heavy sleep From ever waking to worse; but having planted The candle upon the chest by the door, and drawing Down the steel barrel the three points to one line, She met his eyes wide open, broad and inhuman, like the universal eyes of night, judging And damning her act, with remote absolute merciless comprehension. She was like a touched sleepwalker, Unnerved and annihilated: what contemptible Distraction had made the reasons of her dream? and Reave: 'Come closer. You'd botch it from there, and I'd be days Dying or not, cursing you for a fool.' She leaned and shuffled toward him. She felt her neck Wrenched by the buffet, and lukewarm blood wandering From her mouth down the left side of her throat and tasted The thick salt sweetness, and Reave saying furiously, 'Sneak in behind me Fighting on my last inch? I never struck you before, you earned it enough.' She mumbled, 'It doesn't hurt . . .' 'Trust you,' he said, 'to side with my enemy.' His great hands, and the white knuckles Like peaks among the black hairs, blazed in the lit center of the orbital darknesses that hooded her eyes. His hands had her little rifle and were strained to break it, but the great strength that she believed could do anything Failed after all. Snapping and whining with pain like a wounded dog he shifted over on his elbows And thrust the barrel under the board of the bedside, drew up against his own weight, and the splitting stock Ripped from the steel. 'That's yours,' he said gasping. 'Go call Luna.' She felt the pain of her lips swelling, Cut on the dog-tooth edge, and the blood on her throat, and muttered, 'It doesn't hurt.' 'You red and white Barber's-pole,' he said, 'fetch Johnny Luna. We'll have a disarmament here.' 'What?' 'Light the lamp and take Your light and fetch him.' 'What? Oh, oh!' she cowered and knelt down against the bedside, 'don't send me away. I'll promise never ... I promise . . .' 'You'll not be sent away, I'll not let you go.' 'How could I sleep,' She prayed, not hearing him, 'or lie down, or live, in another place, not knowing How you were, and never see you nor touch you?' 'You lie,' he groaned, 'or you're changed. Be sure I'll not let you go. I am not changed.' She clenched a fold of the coverlet and stammered, 'I am not changed. I was only ignorant. When the idiot body and perverse Imagination went whoring . . . then still whatever it is That loves was weeping here.' Reave's old mother Stood in the door, her corded bare throat thrust From the fold of a brown cloak, and dull-white wisps Starring her head; the noise of the broken gun-stock Had beckoned her from a dream. 'Praying is she? Religion's Their last trick . . .' She saw the blood-streak, and blazing Went and dragged up Helen's face, one hand in the hair, One at her throat, saying 'What have you done, you . . . It's your own, is it? That's better.' Reave said, 'Let her alone. I called and she came running asleep, in the dark, She struck her face.' The old woman looked down the candlelight At the rifle-barrel and the splintered stock, and said, 'You are still strong.' 'But can't run my own errands. Wash yourself,' he said to Helen; 'light the lamp; Go and call Johnny.' When Helen was gone, the old mother: 'Tell me what she was doing.' He rolled his shoulders And groaned, striking his hand down at his thigh. 'Would you believe this fixed and passive flesh Has red hot wire in it? What nights.' 'Why have you sent for Luna At midnight?' 'To amuse me awhile. Get to bed, mother, Before the aching night strikes to your bones. I had an inflamed throat After that fall of rain, all my discomforts Turned fiery then. . . . Oh, if you need, I'll tell you. We've rifles and a shotgun, but nobody Will ever go hunting from here again, and to save oiling He's to break the guns. They call it disarmament. I dreamed The old dog that was your husband and my father Stood in a cave-mouth calling; and, to speak exactly, I'll not be tempted.' XVIII The house in the deep gorge Had been darkened again. One of those night-birds that cry in quickening rhythm like the rattle of a spun plate falling Cried, then the silver streak southeast loosed a slight moon. A few of the house-windows feebly glittered Back its horned light; the massed black obelisks of redwood utterly ignored it, but the leafless leaning sycamore Shone like a trunked and branched moon on the dark wood, a tree made wholly of luminous lunar material, Except one long hanging shadow. The clouds took the moon again, the sycamore vanished, the dream in the eyes Of the house died; and imperceptibly a twilight began to exist, without wind or color, or foam Of a formal cloud, but misty rain fell. A faintly more curded mist-wreath flowed from a chimney and down The house-roof valleys, it spread earthling dissolving, and sensitive wild nostrils up the great gorge Tasted the oak-smoke and coffee fragrance of a waking house. The world lightened, the rain increased. A broad brown face peered from a window, a woman whose blood had known this coast for ten thousand years Perceived a strangeness of shape in that moony sycamore. She had work in hand, but an hour later she poured Coffee for Mark Thurso, who'd not come down yet, and set it with his egg back of the stove and went To empty the grounds into the willows. She hooded her head against the rain with an apron, but returning Saw the sycamore framed in the apron-fold And it looked dreadful. She approached and found Mark hanging Long-necked, very wet with rain. She stood at some distance, Mournfully, with the coffee-pot in her hand, Thinking the grounds were bad for chickens, but this Rainy morning she might have mixed them with the other leavings, Not gone out, and seen nothing. She went and washed plates and cups, Wishing for Johnny, but he was busy in the barn. The rain fell on the barn roof, the rain fell . . . everywhere . . . And no one could sleep: smashing rifles all night. Old Mrs. Thurso went in and out; Olvidia Trembled each time, but after going to the privy Was more composed in her mind. The soft beneficent rain hung on the hills without flowing down And filled the soil to the rock, all it could hold; it lay on the shore, it sweetened the bitter sea, It dripped from every bough of the forest, and from the feet of the dead man and his hands and his chin, It glazed his pale-blue face, and glazed the great seaward rock-face of Thurso's Landing, and each green leaf And grass-blade south by the coast to Point Conception; and north into Oregon; so long an island of cloud, Blinding white above, dark and dove-purple below, rained on a thousand miles of the continent's edge; The old savage brood-mare, the earth, drank strength and forgot her deserts. Helen Thurso Walked in Reave's room and looked out the window, and the ivory tree Seemed to have borne in the rain enormous fruit. She covered her mouth, through incredulous fear feeling The bulge of her bruised lip, and left the room Silently; she met Reave's mother carrying a white Bundle of linen that glimmered down the dark passage, And said, 'Have you seen Mark?' She answered jealously 'What do you want?' 'Oh, oh. If he's in his room. I was thinking about the rain, I haven't seen him this morning... My eyes are sick.' She passed and felt the smell Of the freshly ironed linen mix with her fear, And came to Olvidia in the hot kitchen Stroking the iron on the board. 'Come to the door For God's sake, for the windows are blind with rain. In the sycamore tree?' The Indian hung back, mumbling 'Might 'a' been a mountain-lion or a big hawk,' and Helen Dragged her by the wrist, but the old mother Had followed and heard, and when they came to the door She was at the foot of the tree. They heard her cry Three times, a dry scream more goshawk's than woman's. Helen breathed and said 'Reave has heard that. I ... Get a knife.' She ran to the tree; where Mark's mother Stood stiffly quiet by the grotesque legs And said, 'I can't reach. He is the one I loved.' Helen began to clamber at the tree, her knees Slipping on the wet bark and her fingers On the ivory bough, the old woman said harshly, 'Make no show of yourself. He's been long dead and will not admire you. This one is mine, my servants will help me. Stand off, you.' Helen looked back at her face and saw Olvidia and Luna coming; she looked at the dead man's face And said, 'Oh, good-bye,' and looked down quickly. 'I will go to Reave,' she said trembling. She went to his room. The bed-covers were trailed on the floor and he at the window Hung like a broken snake, his hands on the sill lifting his head to the glass. He turned toward her, Wrinkled like a fighting mastiff with rage and pain, saying 'That dead dog.' She shivering and shrill cried out 'No!' but he said, 'The dead dog that walks in the wood, that he used to talk to, has done this: too shot with cowardice To live, and too envious to let his sons. Praising death. Oh my poor brother, If you lived in the hell of pain and impotence That I inhabit, yet you oughtn't to have yielded. It was something to see the envy slaver with hunger And not be fed.' Then Helen said faintly, half borne into belief by Reave's passion, 'Oh, have you seen him?' The great strained shoulders began to fail, the hooked fingers to slip on the painted sill, 'Felt him,' he said, Angularly falling. Unable to lift his weight, she dragged it To the side of the bed, and heaved up the dead half Of his body, and he the living. She fell over against him In the strain of lifting, his violent hands held her Like a lover's, hurting her breasts against his ribs, she felt a ghastliness in him But forced her charged nerves to make no resistance And kissed his cheek with her bruised mouth, the hardening Muscles of his jaw hurt that. 'Fool,' he said hoarsely. 'Have you forgotten? You'll have to learn to endure A starved life for a hot woman.' She stood up And saw his lips bluish and compressed and his eyes blunted. 'Our loves now, Ah,' he said, 'a little too heavy. A wrench of pain For the consummation. Pain is the solidest thing in the world, it has hard edges, I think it has a shape and might be handled, Like a rock worn with flat sides and edges, harder than rock, but Like love it can hardly last more than fifty years. Mark is dead. He'd not have yielded in his right mind. Go help my mother.' Helen said, 'She drove me away. He was always faithful and kind. Oh, oh, what shore Are we sailing toward, with such wrecks for the sea-marks? Dear, you didn't dream I meant to outlive you? Our poor brother Did very wisely though I wish ... I can hardly remember The time when death used to seem terrible to me: I've worse fears now. But if the whole world should be burned alive. Our brother, whom we loved well, is safe.' XIX Reave sighed, And said, 'Go and tell her to send Luna. He'll have to ride to Lobos, there's no telephone Nearer. To let the coroner know. Oh God, why bother? I used to have legs and do my own business. Do you believe in a God?' 'I didn't use to.' 'Well? Now do you?' 'We've less reason to. Yes. There's not a tinge of goodness in the whole world, But war in my mind and agony in yours, and darkness Over the sea and the heights and all bright spirits Forsake the earth. We've excellent cause To know there's none: but there is.' 'Go to church then. A torturer then.' He wiped his forehead and said, 'Another dead dog to bite us. What, that sits calmly Above the stars, and sees the old woman lose both her sons for nothing, one in a dirty noose And the other like a broken stick on a dung-hill; then smiles over the sea to China on a million people Dying of hunger, the lucky ones sold their children for tufts of grass and die with green teeth, God pats His baby hands together and looks down pleasantly. No, the world's not so comic as that: I'll tell you What the world's like: like a stone for no reason falling in the night from a cliff in the hills, that makes a lonely Noise and a spark in the hollow darkness, and nobody sees and nobody cares. There's nothing good in it Except the courage in us not to be beaten. It can't make us Cringe or say please.' 'Dear,' she answered, 'Where would the weakness be in kicking off a random and senseless Darkness like that? Strength doesn't suffer for nothing, Strength would refuse to suffer for nothing, but choose its times To live or die.' 'Listen,' he said; 'there's a silver spoon With my initials on it in a drawer somewhere. When I was five years old I saw my father Use it in his mouth: I never would touch it again. No doubt it stinks.' Tenderly she answered, 'You have great hands: I love you: kill me first, And then eat with my spoon. It would be wine and honey, Oh sweet, sweet, after this life.' He laughed angrily And moaned and said, 'Let's talk sense if we talk. I'll not have him buried here and put him forever In the black dog's power: superstitious as you: To Monterey, some old graveyard Where decent people are lying beside each other And a rose turns from the sea. '. . . Mother,' he said, She entering the room, 'your loss is hard. There's nothing. We must take our pain and live in it.' Her eyes More like dry flints than ever, 'Can you read this,' She said, holding a rag of sodden paper, 'My sight fails, and the rain has washed it, pinned to his coat.' She gave it to Reave, he holding it against the light Said wearily, 'Read it, Helen.' Sick pencil-marks On death-cold paper: she read in a brittle voice: 'I fear insanity. Forgive this ugly sight, Dribbling and screeching would be an uglier sight, Or to do something worse. Oh, why did you go away, Why did you come back? My only cause for this act is fear of madness. That must be stated clearly. No other cause. Dear love, Come soon, this room is purer.' Helen's voice fainted on the final words. She fixed her eyes on the old mother's and said, 'It was written to you.' Who answered harshly, 'I did not go away nor come back. Her tricks of nature Have made their misery again. I never hated her enough.' Helen, without moving: 'How could I care Who hates me or not, when I think about him writing that in the night? He often made notes for thoughts With a stub pencil,' she bit her lip not to weep, and suddenly the tears rained down. The old mother: 'Ah, Reave? We have to face it: she fished for him too. If I'd married a stronger man my sons might have outlived me, But a woman from nowhere comes and burns you like wax. Give me that paper.' Helen gave it and the wet slip Tore in the taking. Reave said, 'Snatch, sea-gull. Be a little quiet over my head, pain's worn me thin, And Mark's dead in the house. We're sorry for you, Mother. As for that message, it has no meaning but the pity in it.' The old woman looked young, with the angry Color on her cheek-bones; Helen looked aged and pale, saying, 'Very likely it is quite true that I brought Misery in both my hands, unwillingly. I am much to be blamed for all our miseries. I can bear it. But while the night darkens, and God closes his hand on this house, and there's no help, I might do well at last What you can't do. After that I'll submit meekly, whether you wish to punish me or please to say Some merciful thing.' Reave opened his eyes and said, 'Mark's not to be buried here, this is the dog's ditch. He'd 'a' lived long if he hadn't walked in the woods. If you have to sell horses to buy a grave to the north, there's a little colt That has no name, I'm fond of him, I rode him before the fall.' His mother stared, saying 'Who buys horses?' He answered, 'He's not for sale, I'll not have it. I hunted the desert for him When he strayed, and brought him back. Are you all ganged against me With the devil in the woods?' The old woman touched him and said, 'Reave. Nobody will sell your horses. There's no buyer. You're tired.' He answered, 'Not tired: but to say it plainly: In hell, in hell. ... I have talked foolishness. I can bear twice as much. Go back to Mark, mother. He needs ... I remember.' The women stood side by side Gazing at his locked face, the mother weaving Her thin hands together, having that rainy paper Crushed between the two palms, but Helen stone still; then Reave Drew down the lids over his staring eyes And made a thin careful smile. The old woman suddenly Sighed and went out. Reave drew loud breath and his eyes Opened, fastened on Helen's: 'Don't let her come in again. I'd hate to tell her. She's much to be pitied too. Never let her know,' he said craftily, 'That she's the cause. She lay with my enemy, all springs from that. I believe you'd never dream it, to look at her, She'd do such things. Has it cleared?' She stammered 'What what?' 'Go to the window,' he said, 'and look out, and see Whether the rain has stopped yet.' She went and said, 'No.' 'It is clearing eastward?' 'All dark. Some wind moves The sky-ridge trees.' 'Rain or not'; and after a moment, 'Did you notice anything,' he said, 'Helen, disordered In what I said lately?' 'I know you suffer Overpowering pain at times.' 'Hm? Not a bit. Firm as a rock. . . . Listen, Helen: My pride and I have agreed: I can bear this punishment, But I don't have to.' She thought he had yielded and was willing to die; That he was beaten seemed to be breaking her heart, that he would die terrified her, that his useless pain Would find its goal in peace was a great sheaf of good; so three ways stricken, white and faint: and the undertow Unconscious enmity that never died from her mind tearing her too with its exultation: 'Oh,' She whispered, 'what change?' 'Why should I refuse the means to relieve it?' He said defiantly. 'I'm like in the sea's gut here, Weighed down with tons of green thick water: while above the air's Clean and alive. We're too closed-in here.' He paused, His eyes glassed and hands clenched. 'A twinge. Don't imagine I'm running from the dead dog: we'll make a bonfire Of his platforms on the rock-head some night. That's my one point in life now: to clean out Trace and shape and smell of him and leave the canyon Virgin if fire and dynamite can do it. In summer when the ground hardens we'll slash A driveway up to the kilns and blow them clean By the foundations. Have you told him yet?' 'What?' she asked. 'What! bring it to the door.' 'Dear, I'm dull with sadness, I can't see to your mind.' 'Have I not told you Three times already? The truck, the truck, the motor-truck. The thing that runs on four wheels. Tell him tell Luna To bring it to the door and help you load on your cripple, So I'll taste air to-day.' 'Where?' 'Where it's widest, And the ocean and hills are clear to be seen, On the Landing: the rock-head: up there.' 'Oh, Oh, that's in the sky. That's well thought.' She trembled violently and said, 'I'll do my part. It's noon: First you must eat, though Mark's dead in the house. Then we'll go up to the rock. It seems long Since morning.' He said, 'To-morrow they'll need the motor To take my brother . . . who has died, as you say. Akh, do quickly,' XX 'You'll need the jack and a shovel, Johnny Luna, For the ground's rotten with rain; and an axe For brushwood no doubt has grown up in the old road. Yet another thing: There was a man named Rick Armstrong: do you remember? He's dead quite lately. He died too. The world's Full of that kind of thing.' She pressed her hand On the reeling pulse in her throat and said, 'I'll tell you. He drove too fast at the Salinas River bridge, Suddenly his sins came on him and swerved the wheel Over the concrete, he rolled with his car And got his life bumped out in the willow-bushes. Do you understand? It will please my husband, For he was his bitter enemy: but if I told him I might not be believed. I am very anxious to make him feel . . . contentment Before he ... sleeps, because he suffers great pain And has no joy nor hope. Johnny, you'll help me For love of him, and I'll give you this ring besides. I wore it through all my ventures, bought long ago With money I earned. I paid twelve dollars for it, You can get three no doubt: the stone's nothing, But the hoop's gold. Take it please. I've nothing else of any priceable value Except my marriage ring: I'll die in that, Though stained, some acid. What you must do is, tell him About Rick Armstrong's death, as I told it to you, To make him happier; but say the Vasquez boys Told you, not I. Everyone's talking about it, He was well known on the coast; he worked, you know, With the road-builders. Mind the jack and the spade, And the hand-axe: he's half mad with pain Or he'd not want to go up. Why, the rain's stopped,' She said, and sobbed once and smiled. 'That's a grand sign. Ah don't forget how Rick Armstrong died.' XXI Reave's mother heard The motor stammer to the house-door, and spin and stop. She stood up beside her own bed, On which she had had her dearest laid down, and had never ceased to arrange the body, to make it seem Happily asleep if she could; having dried it with a warm towel and washed the rain-stains, and dressed her son In clean night-clothes, covering the throat: she looked at the bed with unmoistened eyes like a mother falcon, And went downstairs to the door; Luna was entering. 'Who ordered this? Take it back to the shed. He will stay in my house with me to-night: if we go to-morrow To another place, 7 will tell you, not that woman.' Helen came while she spoke, and Luna Looked from her face to hers, as a boatman From the rock shore to the driving sea. Helen said, 'We must take the bedding first, it is ready.' The old mother: 'You're very confident suddenly. You think you've made enough wretchedness to break my mind and make you Commander here.' Helen, vaguely, in her own thought snared: 'What? No. Is a wind blowing, the trees on the cloud Look hunched: and all my strength's gone: Oh mother, Tell Reave to wait! Comfort him.' 'Reave?' She turned and went toward his room, then Helen remembered that suddenly He seemed to dislike his mother: 'Don't go in to Reave: Oh, I was wrong,' and followed her; and Luna followed The two women. Helen said to Luna: 'Take out the mattress and the covers: we'll have to go.' The old mother To Reave: 'You called for that? Did you tell me you were going somewhere, And I missed hearing?' His eyes avoided her, he answered: 'I'm going to the head of the rock to smell the rain. Why not? I can't make Mark live By smothering here.' 'The rock?' 'Uh, what y' call the Landing. I believe the air's free there.' He closed his eyes And fists, and smiled. Helen said sharply to Luna: 'The little package is mine: let it lie, I’ll take it. Bread and meat.' Reave's mother looked back and saw Her throat shuddering and swallowing as strained with sickness At the thought of food. 'Why: how long are you staying up there?' 'While our ... the light lasts,' she answered, and swallowed, and said, 'Olvidia's here if you need anything.' The mother: 'Reave. This is not in your line, to run off from trouble. She leads you I think.' 'Run?' He rolled his head on the thick neck. 'Run, To a man with no legs. And she leads me: you are very greedy to make humiliation perfect, ah? I might have a grudge too . . . wi' that dog . . . ugh. Mother, mother: You endure something and so do I: but bodily pain is ignoble and soils the mind. If ever I should talk wildly ... no danger: I can bear much more than anything yet . . . you'll not take it to heart, Put it aside as just foam and nothing. I love you and respect you, and when you are bitter with me I know How life has used you. About the other thing: have you ever known me to turn back from something begun? I've grown touchy, But not all changed.' 'In this raw air,' she answered, 'In the likely rain to go up: you told me your trouble turned fiery after a rain.' 'I am ashamed,' He said dully, 'to leave you in sorrow. I can do nothing here, not even walk to Mark's room. A man like me, crippled out of use, hurt out of patience and so forth, May's well go picnics. . . . D'y' see that star?' 'What?' 'The star.' 'There's no star, Reave.' He drew his hand Over his eyes and said, 'No star? None? Oh, yes there is. Thousands, but in the house we can't see them. Well, Helen. Move me, ah? March.' That frame of redwood sticks And canvas was laid on the bed against him, Reave shifted The living part of his body onto it, the others The lower part. Helen saw his jaws locked Not to express pain, she heard the breath Hiss through his nostrils, and thought that she must detach Her nerves from feeling with his, or all her remnant Of strength to help him would bleed away to no purpose: but a superstitious Fear forbade any restraint of sympathy, It looked too much like betrayal; and Reave might suffer Some mystic loss. She took one of the whittled Litter-handles, the old woman another, and Luna The two at Reave's feet; so they conveyed him forth And edged him onto the truck-floor. He felt his mother's Eyes probe him, then to cover pain and the shame Of helplessness: 'You ought to rig up a mast And tackle,' he muttered with flat dry lips, 'To hoist your deck-load aboard.' 'Reave, for God's sake,' Helen cried. 'What?' he said. 'Ships are bad luck I think.' 'Fool.' 'Yes'; and she said panting, 'Oh, you're quite right, Call it a ship. I'll sit on the deck beside you. Our lives are taken away from luck and given Higher.' The old woman looked at her lifted face And began fiercely to speak, and looked at Reave's, and clutched The broken board-ends of the floor of the truck By his feet, where the steel binding was sprung. 'I will stay with Mark,' She said harshly. 'It's been promoted,' Helen said, 'From being the barge for calves to the butcher. Now . . .' The mother: 'I think, Reave, this woman Is faithful now.' 'A ship,' Helen said, 'exploring The open ocean of pain to try if there's any Shore.' 'You have not the courage,' she answered. 'But as you deal with Reave I will deal with you, And twice as much. I have nothing to hold me.' She turned to the house And the car moved; before she came to the door-step She fell down in the path; but no one saw her, For Helen looked at Reave, Reave at the sky, And Luna drove. The old woman dragged her hands Through the wet earth and stood up, lifting her yellow Asturine face: as when a goshawk is caught in a steel trap at a pole's end, That was feathered with a bird for bait, and the farmer comes with death in his hands and takes down the pole, she turns In the steel teeth and outstares her captor with harder eyes. Pitching and slipping on stones And greasy earth, the truck toiled up the farmlane; Helen watched the lines in Reave's face, and risings Of muscle in his cheek when he locked his jaws when a jolt racked him. Once, when the fore-wheels and then the rear Struck in succession and Reave's lips tightened, she laid her hand on his fist: 'That was the cable,' she said, And wished that she had kept silence; and said, 'It lies in the canyon mud like a killed snake: your enemy Was under your wheels.' But whether he heard her or not he made no sign. At the turn to the county road Mill creek is bridged; the stream ran full, on the bridge was a whirlwind funnel of sucks and splinters, then Helen Looked up the redwoods and saw the racing sky, and a ray of sun plunge like a sword, cut northward, And be withdrawn. They climbed the cliff-cut zig-zag stair of the road; when they neared the crest The blanket streamed up, stripped from Reave's feet, and Helen With a sudden sea-gull cry caught it down again And said 'Oh, Reave!' as if waked from a dream That drove toward some unbearable end. 'We can't Go out to the rock, but if you can bear it We'll go on farther than that, we'll go on to town. The doctor will have to do ... at least something To still your pain.' 'All the opium in India. Brought low enough without that'; he muttered more, But the streaming wind took it away, then Helen: 'Oh Reave be merciful: spare me once. We couldn't tell that the storm was stripping the high places When we planned this, down below, I can't bear it.' The wind tilted the truck on the steep springs When it gained the crest and turned quartering; Reave struck the floor with his hand, holding his body with the other to stay it From rolling, and groaned, 'I guess you can bear it.' 'You don't know,' she said, 'What stands on the rock . . .' she stoppered her mouth with her knuckles against the teeth, and breathed through them, and said, 'You have no mercy: your choice is wise. Here is the gate.' XXII At the cliff-line, in the lee of one of those heavily Timbered platforms on the very brow, from which the lime-kegs used to be slung to the ship's hold, They rested at length; but only the cripple's insane invincible stubbornness had brought them to it, by the gullied Overgrown road. A broken shed on the staging, long ago unroofed by some former storm, Still offered a brittle screen of standing planks, splintered, singing in the wind; Thurso's companions Laid him in that shelter on the sea-brow platform. He gathered and governed pain in a long silence, and said, 'Did you see that riffraff under the floor, in the joists and braces?' 'What?' Helen said dimly. 'Sticks and grass: wood-rats' nests. Kindling. When this spell of rain ends We've only to drop a match and all the platform Flies into ashes: while Luna pries the old engine-boiler Down the cliff into the sea: we'll have our rock-head Clean as at first.' She answered, 'Oh: that?' and shivered In the whirl of the broken wind, saying, 'Reave: listen. Do you think he minds?' 'Hm?' 'Your father. Because if he Lives after his death, envying and doing evil, Then death, that I have always been sick with fear To think of, is not an end, and you and I Might look down at our lives laughing From a great height.' 'Dead as a dog,' he said. 'I never thought anything else. Grieving for Mark I may’ve talked foolishly. We'll erase his leavings For pleasure and to clean the world.' 'You don't know. 7 don't know. They won't tell,' she said grievously. 'Another man, Reave, is dead also. They fall and fall Like apples in a wind. Johnny Luna told me.' She stood up And called Luna from prying at the truck's mudguard, Where it was bent to the tire by a stump of oak, 'Was it the Vasquez boys that told you?' she screamed Down the loud wind. Luna climbed up the platform And stood with his blank slate face bent from the storm, Saying 'What you want?' 'I was so troubled this morning, I hardly listened to you: didn't you tell me Armstrong was killed?' He nodded gravely, and Helen: 'I'm glad. Are you glad, Reave?' 'No. Rick Armstrong?' He said groaning, turning himself on his shoulders, 'How did Rick Armstrong die?' 'All in a minute,' She answered, 'how was it? In his car, Johnny?' 'He drive too fast at the bridge.' 'When was that?' Reeve said. 'I don' know. Maybe las' week. Vidal Vasquez He talking about.' Reave said, 'It's too bad. He was a good fellow: but the single fault I've never understood yet. Well. Time and chance.' Helen, suddenly shaking like the erect boards Behind her in the wind: 'Is it nothing, nothing to you? It was something to me! Hush. I'll be still. I hoped You'd feel an old debt paid, and be pleased, and I'd Be dearer to you. He's dead, you understand? He's gone down. You live.' Reave gazed up in slight wonder; Helen sighed And turned to Luna: 'That's all. Thank you for lying. It was no good.' The Indian went carefully down, And back to the car, clinging by the platform timbers in the current of wind. Helen crouched again On the planks beside Reave's mattress, she kept jerking her hands together and drawing them apart; the screen Of boards behind her whistled and clapped like something heard on a ship; the ragged skies and wreaths Of mist rushed by, and crescent-moon-shaped flurries of foam on the streaked sea; the rock and the platform Were driving up wind with dreadful increasing speed, the deck and the hull. She moistened her lips to whisper Silently: 'Mark's out of it. Oh happy, Oh happy! but the racing engines Will burst with this. Is the time now?' Reave never slept, he lay and looked up with broad light eyes At the driven sky; the upper eyelids cut the blue circles, the lower missed them; his face was motionless Like worn hard wood, but all the while he felt pain. It was hateful of him to leave the duty to a woman; Lie there fallen; wait to be saved; what had they come up for! And when she killed her lover to please him He had not cared. She turned herself toward the clattering boards and undid the package, And turned again, holding the things in her hands, Hidden in her lap. The engine in her side was quieter, But the ship glided dreadfully faster, giddy with speed. She swayed upright and went around him to approach him From the north side, so that her right hand Was under his chin when she knelt down and kissed, And babbling something of love drew his own sharp hunting-knife Between the jaw and the jut of cartilage, with such Hoarded unconscious violence that both the arteries, And the tubes between them, and much of the muscle sheath On the right of the throat were severed; his head jerked to the left, The great wound gaped and sighed, all in a moment Mattress and blanket, the planks, the whole world of sense, Were painted with blood and foam. He heard her crying She'd done it for love, he formed his lips to say 'Bitch,' But breath and the light failed; he felt the animal Flurry of death waggle his arms and head, No pain from the loins down. Then all was perfect No-pain. Helen stood up from her deed And said 'I have the other thing in my fingers. Oh Johnny Luna, go down and tell his mother That the ship has found land.' But when she looked, Luna was still tinkering the truck. She ran To the platform-end, and the wind threw her on the planks, She lay on her breasts and thighs, crying 'Tell the old woman To come up here and see him like a king in Babylon With his slave lying at his feet.' Her face and the blood Moved him to flee into the wind and down The rock-path in the cliff-side. XXIII Reave's mother labored up the steep face, Luna behind her. The wind had sagged toward the southwest and somewhat declined in violence, so that a wide-winged hawk That had been hungry all day was able to hang in the birdless air of the rock-head when they came up, Probing with her eyes wild buckwheat bushes and sage and the polished leaves of the barren strawberry; she looked Nailed to the firmament, her twitching wings like the spread hands of a crucified man fighting the nails; But Helen imagined her a vulture and was screaming at her. When Reave's mother came, Helen made shift to sit up on the planks beside her slain man, and staring with enormous violet eyes From a stained shrunk face, began to make words in a voice that was not her own: 'I was afraid you'd not come. I have to tell you. But now I've taken Reave's lifetime of pain upon me to spend in an hour or two, And my throat's burnt, but I have to tell you As clearly as I might be able, because you ought to understand that I am not vile to the very end, And have done well. His death was rapid. But for mine, after I'd done it, if I'd taken any easy way Out, you'd have scorned me; and the watchful world might 'a. thought I'd done it unworthily, what I did out of pure love And pity; or thought that I die to escape punishment. Don't come near me yet, for I've not finished. I read In the Sunday paper, how they dug out the grave of a king in Babylon and found his women about him With their skulls knocked in; I planned to honor Reave in that way: he was like a king in some ways, and if he had found any great thing to do He might have done greatly.' She fell, drawing up her knees, and the mother said: 'What poison?' Helen made no answer, But being asked a third time: 'No,' she answered faintly, 'a woman's poison, a white one. The little tablets I used for fear of having a baby, in our happy time.' She fixed her eyes on the vacant air Above the sea-edge: 'Why there's that tiny tiny thing with the yellow mop Come up to see us. Keep her off, please. No, Hester. No. You may watch if you like but I alone Am allowed to lie at his feet, my love is proved.' The old woman answered, 'There's nobody.' She crept on the platform for the wind threw her down, and crept past Helen To Reave and said, 'How did you do it? Did he let you do it?' Helen, coughing with laughter in the poison fever: 'Reave let me? Have you gone crazy? I knifed him while I kissed his mouth.' She cried with pain At the end of speaking, and the mother: 'I knew he would never give in, why did I ask? You have done well, You always were treacherous, you did it easily.' She found the hunting-knife And took it up from the blood against Reave's shoulder, Then Helen cried, raising herself on her hands, 'You must not! You have no right. I alone saved him, Alone to die with him.' 'When you die I will lay it down. You are not to get well.' Helen gasped, laughing And retching, 'Oh that’s all? Old fool. Those little white things, meant to fight the seed of our lovers, Are seed themselves, I'm pregnant and swell fast, Baby death, darling, darling.' She widened terrified Eyes and said staring: 'I can't Be silent in pain like Reave: Oh, I did hope to. I never dreamed, Oh, ooh; Oh, ooh.' The old woman watched her Attentively across Reave's body, and let the knife Drop on the planks. Helen heard it, and after a long while She said, stretching her throat, 'Be merciful to me. As I was merciful to Reave. I can't bear The next hour. . . . Unless it would seem wrong? Reave not be honored enough?' 'I think your time Is near,' she answered. 'There is an end or I'd help you: it will be braver in us Not to keep begging death out of the cloud Before he is ready.' But she crept under the wind Around Reave's body and kissed Helen's hand, and remained with her Tenderly until she died. The platform is like a rough plank theatre-stage Built on the brow of the promontory: as if our blood had labored all around the earth from Asia To play its mystery before strict judges at last, the final ocean and sky, to prove our nature More shining than that of the other animals. It is rather ignoble in its quiet times, mean in its pleasures, Slavish in the mass; but at stricken moments it can shine terribly against the dark magnificence of things. Luna came up the platform and stood shaking, Leaned over against the wind; the old woman said: 'We can do nothing. She had a wasteful gallant spirit. It is not poured out yet; go down for now.' Toward evening the seas thundered on the rock, and rain fell heavily Like a curtain, with one red coal of sundown glowing in its dark. The old woman stood up And fell, and stood up and called: 'Now come, it is time. . . . To bear . . . endure ... are poor things, Johnny; to live And bear what we can't strike back at: but we come to them Unless we fall off before. . . . Has the car lights? Help me: you'll have to carry all the weight. I am the last And worst of four: and at last the unhappiest: but that's nothing.' 357