Walt Whitman Visits Fabrizio Frosini
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A Fantasy for Fabrizio
A foot and light-hearted I take to the open road,
Healthy, free, the world before me,
The long brown path before meleading me wherever I choose.
I ask not good fortune, I myself am good fortune.
Walt Whitman
Yes, me, American to the core, Poet of the Open Road!
That means a life of walking, hiking, trudging,
trekking, sauntering, oh, and loafing from time to time.
But in your time people race in vehicles,
no time left topursue the life of the roads.
They are always disappearing behind you. My favorite
roads wind along the wavy path parallel to a great river.
No short cuts, no straight lines. It keeps
you nimble and and alert, both body and soul engaged.
Roads are curious characters, like you and me.
They want to know everything about the world
they occupy, so they twist and bend, circle and
spiral, imprinting by movement itself
their landscapes in memories. They rejoice
in the upward climb and the downward rush.
We poets take time to walk. There is no
destination more important than each curve,
eachbump of the road itself. The roads know
thngs only perpetual journeyers learn.
What visions, what new selves
will be realized by the journey!
We must carry both flesh and spirit
across land and water and air
toward whatever destination for us
is marked on the inner map of our existence.
And that dark spirit, that soul
that propels us from within, must be
matched by a free mind, eating the light,
and plotting a direct path through daylight
and night. Such is the double vision of our being.
The roads delight in hugging the edges
of meadows and smelling the scents of
teeming wildflowers. They slow down
and rest in the shade of flourishing
great trees. But inevitably the heights
summon them. When they arrive on the highest
platau, they circle around and around,
making shifting patterns in the ground
that later journeyers will see as hieratic,
and invest with solemn meanings.You and I
are among those later journeyers, and we
nudge our lives forward by ascent and descent.
Again visions will flood our consciousnes,
and new selves will assume new roles
they will play with serious levity or
laughing intensity. Still many carry home
only their old selves, and complain about
the weight they fear to disgard. But we
let the the air dissolve our old selves
and delight in our new, supple, spacious
selves. Oh, does not space become time
in these heights? Do we not lavish our eyes
with brightening vistas, even as we stand,
rapt and silent, occupying a moment endlessly
extended, as if it were a road forever open
to eternity...
What will I say in departing? Perhaps it should be
a gesture: a shrug of my shoulders, a waving of both
hands, like a crazy fellow, a deep bow, as if I were
again playing the fool? But, no, it must be a farewell
of words, because we are poets, and the words we speak
and write we have borrowed from past eons and future eons
will borrow them from us. The words, the words, Fabrizio!
Spill them, toss them, give them as gifts to children,
lend them to the tongue-tied lover, teach the angry man
to use them instead of his fists, help the lonely connect
with them.
Fabrizio, my new and very old friend, fare thee well!
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